Poetically delving into the spectacle and incredulity of a real-life religious controversy
In the early 1990s, a small town in the Philippines became the epicenter of religious controversy when a teenager claimed to be visited by the Virgin Mary. News of these visions, broadcast over national media, would prompt over a million to flock to the town, hoping to catch a glimpse of the teenager and witness inexplicable events: a statue of the Virgin weeping blood, the sun dancing and throbbing into various fantastic colors, or a bevy of doves appearing overhead during Mass.
Miracle Fever, chronicling the life of this town, is a poetry sequence revolving around these apparitions. Documentary in its scrutiny and distortion of real-life events, novelistic in its plot trajectory, and lyric in its imagistic intensity, Miracle Fever offers a fabulist model of reality, built through poems delivered in the form of dramaticules, timelines, and photo captions. These fugitive presences, bearing out and unsettling the complex ethics of representation that the sequence cleaves to, foreground the element of spectacle surrounding the apparitions and bring new light to the ever-shifting antecedents bound by shared history.