Mikhail Vrubel: From the Academy to the Avant-Garde
Autor Maria Taroutinaen Limba Engleză Hardback – 11 dec 2026
Mikhail Aleksandrovich Vrubel (1856–1910) was one of Russia’s most innovative fin de siècle artists, bridging symbolism, art nouveau, and the emerging currents of modernism. This biography traces Vrubel’s career from his formative years at the Imperial Academy of Arts in Saint Petersburg to his untimely death, revealing how his visionary work anticipated the formal and conceptual breakthroughs of the twentieth century. Vrubel’s paintings, drawings, and designs are examined alongside contemporaneous movements in France, Germany, Austria, and Britain, highlighting his role in a transnational artistic dialogue. Featuring high-quality reproductions, previously unpublished works, and extensive original research, this first English-language monograph in over forty years reassesses Vrubel’s legacy and situates him as a crucial precursor to the Russian avant-garde, illuminating his enduring influence on modern art.
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Specificații
ISBN-13: 9781836392620
ISBN-10: 1836392621
Pagini: 256
Ilustrații: 136 illustrations, 114 in colour
Dimensiuni: 168 x 234 mm
Greutate: 0.45 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books
ISBN-10: 1836392621
Pagini: 256
Ilustrații: 136 illustrations, 114 in colour
Dimensiuni: 168 x 234 mm
Greutate: 0.45 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books
Notă biografică
Maria Taroutina is assistant professor of Slavic studies at Brown University. She is the author of The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival.
Recenzii
“In this eloquent text, Maria Taroutina makes a wholly persuasive case for counting Mikhail Vrubel among the great artists of the nineteenth century. His idiosyncratic, compelling works in multiple media bear the unmistakable imprint of originality, foreshadowing the visionary modernism of Kandinsky and Malevich. Offering new readings of individual works while sketching the largest of contexts, this richly rewarding book fills a significant lacuna in the English-language history of art.”
“In a tour de force of expansive scholarship and close reading, Maria Taroutina has written the book that an artist as protean, cosmopolitan and creatively unbound as Vrubel deserves. Sharing her subject’s insatiable intellectual curiosity, she unearths stimuli ranging from Byzantine mosaics and Persian carpets to contemporary opera and the tessellated forms of Cézanne. Vrubel’s restive response to these myriad cultural encounters establishes him as much a powerhouse of transnational modernism as he was a cornerstone of the Russian avant-garde.”
“In a tour de force of expansive scholarship and close reading, Maria Taroutina has written the book that an artist as protean, cosmopolitan and creatively unbound as Vrubel deserves. Sharing her subject’s insatiable intellectual curiosity, she unearths stimuli ranging from Byzantine mosaics and Persian carpets to contemporary opera and the tessellated forms of Cézanne. Vrubel’s restive response to these myriad cultural encounters establishes him as much a powerhouse of transnational modernism as he was a cornerstone of the Russian avant-garde.”