Michael Mann: Crime Auteur
Autor Steven Rybinen Limba Engleză Hardback – 4 apr 2013
In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann's work on the shows Crime Story and Luck.
Covering Mann's entire career, this book will be of interest to fans of the writer/director's body of work as well as to scholars of both film and television.
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Specificații
ISBN-13: 9780810890831
ISBN-10: 0810890836
Pagini: 318
Ilustrații: 45 b/w photos;
Dimensiuni: 161 x 215 x 28 mm
Greutate: 0.61 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Locul publicării:New York, United States
ISBN-10: 0810890836
Pagini: 318
Ilustrații: 45 b/w photos;
Dimensiuni: 161 x 215 x 28 mm
Greutate: 0.61 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Locul publicării:New York, United States
Cuprins
Contents
Acknowledgements
Preface
Introduction
Chapter One: Beginnings in Television and The Jericho Mile (1979)
Chapter Two: Thief (1981)
Chapter Three: The Keep (1983)
Chapter Four: Miami Vice (The Television Series) (1984-1990)
Chapter Five: Manhunter (1986)
Chapter Six: Crime Story (1986-1988)
Chapter Seven: The Last of the Mohicans (1992)
Chapter Eight: Heat (1995)
Chapter Nine: The Insider (1999)
Chapter Ten: Ali (2001)
Chapter Eleven: Collateral (2004)
Chapter Twelve: Miami Vice (2006)
Chapter Thirteen: Public Enemies (2009)
Conclusion: Luck (2011-2012) and Beyond
Michael Mann Filmography
Notes
Bibliography
Acknowledgements
Preface
Introduction
Chapter One: Beginnings in Television and The Jericho Mile (1979)
Chapter Two: Thief (1981)
Chapter Three: The Keep (1983)
Chapter Four: Miami Vice (The Television Series) (1984-1990)
Chapter Five: Manhunter (1986)
Chapter Six: Crime Story (1986-1988)
Chapter Seven: The Last of the Mohicans (1992)
Chapter Eight: Heat (1995)
Chapter Nine: The Insider (1999)
Chapter Ten: Ali (2001)
Chapter Eleven: Collateral (2004)
Chapter Twelve: Miami Vice (2006)
Chapter Thirteen: Public Enemies (2009)
Conclusion: Luck (2011-2012) and Beyond
Michael Mann Filmography
Notes
Bibliography
Recenzii
If you are a fan of any of the films from Michael Mann, or if you are a filmmaker then this book is a must have. If you are a casual movie watcher, or just slightly interested you'd be wise and enriched by reading this book. I highly endorse it.
His critics have labeled him a superficial stylist; however, Michael Mann and his films are celebrated in Steven Rybin's energetic analysis of the filmmaker in Michael Mann: Crime Auteur. This book continues and expands upon what Rybin initially began with his 2007 book The Cinema of Michael Mann. . . .Rybin's approach to Mann's films is systematic and precise. . . .Furthermore, his enthusiastic approach to the films and television shows, and the care and detail he provides, adds to this optimisim. Rybin's refreshing approach to Mann places the director in the likeness of classic film director titans of past and present.
Steven Rybin has written an incisive, indispensable account of Michael Mann's cinema of ideas and visuals in what promises to be the definitive study of this major film and television auteur for years to come.
His critics have labeled him a superficial stylist; however, Michael Mann and his films are celebrated in Steven Rybin's energetic analysis of the filmmaker in Michael Mann: Crime Auteur. This book continues and expands upon what Rybin initially began with his 2007 book The Cinema of Michael Mann. . . .Rybin's approach to Mann's films is systematic and precise. . . .Furthermore, his enthusiastic approach to the films and television shows, and the care and detail he provides, adds to this optimisim. Rybin's refreshing approach to Mann places the director in the likeness of classic film director titans of past and present.
Steven Rybin has written an incisive, indispensable account of Michael Mann's cinema of ideas and visuals in what promises to be the definitive study of this major film and television auteur for years to come.