Method Acting Reconsidered
Editat de David Krasneren Limba Engleză Paperback – sep 2000
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Specificații
ISBN-13: 9780312223090
ISBN-10: 0312223099
Pagini: 324
Ilustrații: VIII, 312 p.
Dimensiuni: 140 x 210 x 22 mm
Greutate: 0.34 kg
Ediția:2090 edition
Editura: Springer Nature B.V.
Locul publicării:New York, United States
ISBN-10: 0312223099
Pagini: 324
Ilustrații: VIII, 312 p.
Dimensiuni: 140 x 210 x 22 mm
Greutate: 0.34 kg
Ediția:2090 edition
Editura: Springer Nature B.V.
Locul publicării:New York, United States
Descriere
Method Acting is one of the most popular and controversial approaches to acting in the United States. It has not only shaped important schools of acting, but has been a fundamental constant of all American acting. This insightful volume explores Method Acting from a broad perspective, focusing on a point of equilibrium between the principles of the Method and its relationship to other theories of performance. David Krasner has gathered together some of the most well-known theater scholars and acting teachers to look at the Method. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.
Cuprins
Introduction
I Hate Strasberg: Method Bashing in the Academy; D.Krasner
SECTION I: THEORY
Acting and Answerability; M.Carlson
Salvaging Strasberg at the Fin-de-Siècle; M.Gordon
Just Be Yourself: Derrida, Difference, and the Meisner Technique; L.Mallory
The Reality of Doing: Speech Acts in the Theatre; D.Z.Saltz
The Method and the Feminist Perspectives in the Classroom and on the Stage; E.C.Stroppel
Styling Method Acting: Style, Realism, and Performance; S.Standing
SECTION II: PRACTICE
Significant Action: Teaching a Way of Working; J.D.Giebel
Teaching Method Acting in a University Setting; V.Katz
Practising the Paradox: Addressing the Creative State; P.Lobdell
The Method Revisited: Activities, Actions, and Living in the Body; J.Luse
The Self and the Method: A Performance Artist's Approach; D.Margolin
Focusing Outward: Meisner over Strasberg; B.Pope
Creating a Life Observed: A Personal Journey; D.Reid
The Method: Changing the Means, Preserving the Ends; D.Wiles
SECTION III: FUTURE
Definition: Updating Key Terms in Actor Training; R.Blair
Method Acting and Technology; C.Blackinton
Emotion Training and the Mind/Body Connection: Alba Emoting and the Method; P.D.Chabora
Actions and the Avant-Garde: Method Acting in Non-Realistic Environments; P.S.Kassel
Influences in Another Direction: Method Acting in Russia; N.Kolosova
Barba and the Method: Some Comparisons; J.Perlstein
Method(ical) Hybridity: Stanislavski Meets Suzuki at the fin-de-siecle; T. Donovan Smith
I Hate Strasberg: Method Bashing in the Academy; D.Krasner
SECTION I: THEORY
Acting and Answerability; M.Carlson
Salvaging Strasberg at the Fin-de-Siècle; M.Gordon
Just Be Yourself: Derrida, Difference, and the Meisner Technique; L.Mallory
The Reality of Doing: Speech Acts in the Theatre; D.Z.Saltz
The Method and the Feminist Perspectives in the Classroom and on the Stage; E.C.Stroppel
Styling Method Acting: Style, Realism, and Performance; S.Standing
SECTION II: PRACTICE
Significant Action: Teaching a Way of Working; J.D.Giebel
Teaching Method Acting in a University Setting; V.Katz
Practising the Paradox: Addressing the Creative State; P.Lobdell
The Method Revisited: Activities, Actions, and Living in the Body; J.Luse
The Self and the Method: A Performance Artist's Approach; D.Margolin
Focusing Outward: Meisner over Strasberg; B.Pope
Creating a Life Observed: A Personal Journey; D.Reid
The Method: Changing the Means, Preserving the Ends; D.Wiles
SECTION III: FUTURE
Definition: Updating Key Terms in Actor Training; R.Blair
Method Acting and Technology; C.Blackinton
Emotion Training and the Mind/Body Connection: Alba Emoting and the Method; P.D.Chabora
Actions and the Avant-Garde: Method Acting in Non-Realistic Environments; P.S.Kassel
Influences in Another Direction: Method Acting in Russia; N.Kolosova
Barba and the Method: Some Comparisons; J.Perlstein
Method(ical) Hybridity: Stanislavski Meets Suzuki at the fin-de-siecle; T. Donovan Smith
Notă biografică
DAVID KRASNER is Director of Undergraduate Theater Studies at Yale University. His previous book, Resistance, Parody, and Double Consciousness in African American Theater, 1895-1910 (SMP, 1997) received the 1998 Errol Hill Award from the American Society for Theater Research.
Caracteristici
1 Reputation of the editor
2 Trade potential in topic
3 Method acting most popular and controversial approaches to acting
2 Trade potential in topic
3 Method acting most popular and controversial approaches to acting