Melisma: Wordless Song in Medieval Chant
Autor Thomas Forrest Kellyen Limba Engleză Hardback – 19 iun 2025
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Specificații
ISBN-13: 9780197763483
ISBN-10: 0197763480
Pagini: 300
Ilustrații: 102 figures, 12 tables
Dimensiuni: 180 x 244 x 28 mm
Greutate: 0.7 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0197763480
Pagini: 300
Ilustrații: 102 figures, 12 tables
Dimensiuni: 180 x 244 x 28 mm
Greutate: 0.7 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Just like its author, who has given so much to students in the field, Melisma is a generous gift for chant scholars to take onwards.
Much is to be admired in this volume by one of the most renowned chant scholars of the twentieth and twenty first centuries and the author of many books, articles, and chapters on chant from a number of perspectives (regional, generic, thematic). This book contributes greatly to his scholarly corpus and will undoubtedly become foundational to the field of chant studies for decades to come.
Kelly's study ... draws many threads together to develop key analytical ideas that offer important opportunities for further research.
Much is to be admired in this volume by one of the most renowned chant scholars of the twentieth and twenty first centuries and the author of many books, articles, and chapters on chant from a number of perspectives (regional, generic, thematic). This book contributes greatly to his scholarly corpus and will undoubtedly become foundational to the field of chant studies for decades to come.
Kelly's study ... draws many threads together to develop key analytical ideas that offer important opportunities for further research.
Notă biografică
Thomas Forrest Kelly is Morton B. Knafel Professor of Music, Emeritus at Harvard University, where he taught until his retirement; he previously taught at Oberlin College, the Five Colleges, and Wellesley College. His published work includes several volumes for general audiences and more specialized studies on aspects of medieval music. He was the founding director of the Castle Hill Festival and served as President of Early Music America, for whose magazine he has written a quarterly column for twenty years. He holds an honorary doctorate from the University of North Carolina and is a Fellow of the American Academy in Rome, the American Academy of Arts and Sciences, and the Medieval Academy of America. He is also a Chevalier of the Ordre des Arts et Lettres of the French Republic, and an honorary citizen of the city of Benevento.
Cuprins
- Preface
- Abbreviations
- Chapter 1. Songs without words
- Jubilare sine verbis
- How do you sing a melisma? Stylistic considerations
- How do you write a melisma?
- The shape and effect of melismas
- Musical nature of melismas
- Chapter 2. Some historical considerations
- The earliest notations of melismas
- Medieval words for melismas
- Medieval descriptions of melismas and their usage
- Chapter 3. Melismas within chants of the mass
- Tracts
- Graduals
- Alleluia
- Offertories and their verses
- Benedictiones
- Ite missa est, Benedicamus domino
- Appendix A. Opening Melismas in Offertories
- Chapter 4. Melismas, mostly added, and mostly In the Divine Office
- Caudae for antiphons
- Melismas for responsories
- Borrowed melismas
- Composed melismas
- Modal melismas
- Melismas in antiphons
- Later medieval adjustments to melismas
- Appendix B: Added responsory-melismas borrowed from offertories
- Chapter 5. Melismas added to chants in the Mass
- Introits
- Sequentiae
- Appendix C: Melismas in Aquitanian graduals and tropers
- Chapter 6. Melismas in the Ordinary of the Mass
- Kyrieleison
- Gloria in excelsis
- Sanctus: Osanna melismas
- Chapter 7. Melismas with words: prosula
- Introduction
- Genres
- Offertory
- Alleluia
- Fabrice mundi (neuma triplex)
- Ordinary of the mass
- Style and Performance
- Chapter 8. Melismas with words: prosa
- Text and music
- Specific melodiae and prosas
- Sequence, prosula, and notation
- Chapter 9. Conclusions, Details, Examples
- Music and language
- Detailed examinations of melismas and their subdivisions
- Conclusions
- Bibliography
- Credits and Permissions
- Index of manuscripts
- Index of chant incipits
- General index