Maria Hester Park: Composer, Teacher, and Performer
Autor Lise Karin Melingen Limba Engleză Hardback – 7 oct 2025
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Specificații
ISBN-13: 9789815129786
ISBN-10: 9815129783
Pagini: 158
Ilustrații: 28
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.39 kg
Ediția:1
Editura: Jenny Stanford Publishing
Colecția Jenny Stanford Publishing
ISBN-10: 9815129783
Pagini: 158
Ilustrații: 28
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.39 kg
Ediția:1
Editura: Jenny Stanford Publishing
Colecția Jenny Stanford Publishing
Public țintă
Academic and PostgraduateCuprins
1. “Beloved by All Who Had the Advantage of Knowing Her”
1.1 Harmonies of Life: Marriage, Music, and Cultural Influence
2. Performing and Teaching in the Heart of London’s Cultural Life
2.1 London’s Concert Life
2.2 Public Concert Performances
2.3 Teaching the Nobility and Female Musical Training
3. Composing for the Keyboard and the Cultivation of Female Accomplishments
3.1 Maria Hester Park’s Compositions
3.2 The Keyboard Instrument
4. Publishing with Subscription
4.1 The Subscription Method
4.2 The Subscription of Park’s Works
5. The Glees
5.1 The English Glee
5.2 Park’s Glees
6. The Concerto for the Pianoforte or Harpsichord
6.1 The Keyboard Concerto
6.2 Park’s Concerto
7. Solo Keyboard Sonatas Opp. 2, 4, and 7
7.1 The Sonata
7.2 Sonatas Op. 2
7.3 Sonatas Op. 4
7.4 Sonata Op. 7
8. The Waltz, Divertimentos Op. 8, and Sonata Op. 12
8.1 The Waltz
8.2 Six Easy Divertimentos for the Harp and Pianoforte, Op. 8
8.3 A Sonata for the Pianoforte, Op. 12
9. Accompanied Keyboard Works
9.1 The Accompanied Keyboard Sonata
9.2 Park’s Divertimento
9.3 The Sonatas Op. 1
9.4 The Sonatas Op. 13
9.5 The Sociological Factor
9.6 The Accompanied Sonata and the “New Woman”
10. Maria Hester Park and Her Women Composer Colleagues
10.1 Women Composers in England
10.2 The Confusion with Maria F. Parke
10.3 The “Woman Composer” Question Revisited
Bibliography
Recenzii
“Dr Meling’s excellent new book not only provides new insight into a previously overlooked composer and her works but also provides important contexts for music-making—especially women’s music-making—in Georgian England. It provides essential historical background to the contemporary music scene, music as a profession, and the societal norms of the time. This book is a must-read for musicians, musicologists, and fans of Jane Austen alike.”
Prof. Kate Maxwell
UiT The Arctic University of Norway, Norway
“In this book, Meling demonstrates how form and analytical methods derived from the classic monograph on the male composer's life and work can be applied to a well-crafted presentation of the female composer, Maria Hester Park. The book also records how Park contributed to enabling women to assume leadership positions in the musical landscape.”
Prof. Per Dahl
University of Stavanger, Norway
“Maria Hester Park (1760–1813) is important both for her connections to figures such as Samuel Johnson and Joseph Haydn and for her diverse musical activities. Meling has written what is likely to become the standard account of her life and works. It should be of interest to all studying women in music, British music, or culture in the Georgian era.”
Dr Halvor Hosar
Uppsala University, Sweden
“This is the late work of one of the most inspiring Norwegian storytellers in feminist musicology. By changing the lighting direction in historiography, Meling invites the reader to give people, music, and cultural practices the attention and the appreciation they deserve.”
Prof. Dr Lilli Mittner
UiT Centre for Women’s and Gender Research, Norway
Prof. Kate Maxwell
UiT The Arctic University of Norway, Norway
“In this book, Meling demonstrates how form and analytical methods derived from the classic monograph on the male composer's life and work can be applied to a well-crafted presentation of the female composer, Maria Hester Park. The book also records how Park contributed to enabling women to assume leadership positions in the musical landscape.”
Prof. Per Dahl
University of Stavanger, Norway
“Maria Hester Park (1760–1813) is important both for her connections to figures such as Samuel Johnson and Joseph Haydn and for her diverse musical activities. Meling has written what is likely to become the standard account of her life and works. It should be of interest to all studying women in music, British music, or culture in the Georgian era.”
Dr Halvor Hosar
Uppsala University, Sweden
“This is the late work of one of the most inspiring Norwegian storytellers in feminist musicology. By changing the lighting direction in historiography, Meling invites the reader to give people, music, and cultural practices the attention and the appreciation they deserve.”
Prof. Dr Lilli Mittner
UiT Centre for Women’s and Gender Research, Norway
Notă biografică
Lise Karin Meling is an associate professor of music history at the Faculty of Performing Arts, University of Stavanger, Norway, where she teaches music history, performance practice, and harpsichord performance. Her research spans the roles of women composers and their social status in the 18th and early 19th centuries, as well as the significance of domestic music-making in the 19th and early 20th centuries. In recent years, she has expanded her work to include the gendered history of musical instruments, particularly keyboard instruments, and the study of subscription lists in England in relation to women composers. Dr Meling has authored a wide range of scholarly articles, book chapters, and textbooks in music history. As a harpsichord performer, she is committed to bringing lesser-known works by women composers to light. She is also an active participant in national and international conferences, contributing to lecture recitals, interviews, and media appearances.
Descriere
This book is an important contribution to the study of women in classical music, specifically focusing on the life and works of Maria Hester Park. It fills a significant gap in the literature surrounding women composers in the late eighteenth and early nineteenth centuries.