Making Sense: A Theory of Interpretation
Autor Paul Thomen Limba Engleză Paperback – 22 feb 2000
Preț: 207.27 lei
Preț vechi: 264.60 lei
-22%
Puncte Express: 311
Preț estimativ în valută:
36.67€ • 42.63$ • 31.79£
36.67€ • 42.63$ • 31.79£
Carte tipărită la comandă
Livrare economică 04-18 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780847697830
ISBN-10: 0847697835
Pagini: 128
Dimensiuni: 148 x 226 x 10 mm
Greutate: 0.25 kg
Ediția:0128
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
ISBN-10: 0847697835
Pagini: 128
Dimensiuni: 148 x 226 x 10 mm
Greutate: 0.25 kg
Ediția:0128
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
Cuprins
Chapter 1 Introduction
Chapter 2 1 Data and Difficulties: The La Scala Eracle, Lavoisier's Oxygen, and Various People's Shakespeare
Chapter 3 2 Structure: Schikaneder's Flugwerk, Gilda's Body, and Horowitz's Liszt
Chapter 4 3 Process: Greek Meteorology, The Potato Eaters, and Madonna's "Fever"
Chapter 5 4 Kinds
Chapter 6 5 General Rules: The Uninspired Archaeologist and Freud's Macbeth
Chapter 7 6 Special Rules: The Offstage Piano and Elvis's "Hound Dog"
Chapter 8 7 Conclusions
Chapter 9 Bibliography
Chapter 10 Index
Chapter 11 About the Author
Chapter 2 1 Data and Difficulties: The La Scala Eracle, Lavoisier's Oxygen, and Various People's Shakespeare
Chapter 3 2 Structure: Schikaneder's Flugwerk, Gilda's Body, and Horowitz's Liszt
Chapter 4 3 Process: Greek Meteorology, The Potato Eaters, and Madonna's "Fever"
Chapter 5 4 Kinds
Chapter 6 5 General Rules: The Uninspired Archaeologist and Freud's Macbeth
Chapter 7 6 Special Rules: The Offstage Piano and Elvis's "Hound Dog"
Chapter 8 7 Conclusions
Chapter 9 Bibliography
Chapter 10 Index
Chapter 11 About the Author
Recenzii
Thom's framework is important and along the right lines. Anyone interested in interpretation should give careful consideration to these views.
This is a very lucid and precise text, which is richly textured with illuminating and intriguing discussions of examples from painting, theatre, music, opera and the sciences. I would recommend it as a text for undergraduate courses on Interpretation -and I would have all teachers read chapter 3!>
This book is suitable for those with an interest in the performing arts and are looking for a general theory that provides a conceptual framework by which to assess different performative interpretations of a piece of work.
This is a very lucid and precise text, which is richly textured with illuminating and intriguing discussions of examples from painting, theatre, music, opera and the sciences. I would recommend it as a text for undergraduate courses on Interpretation -and I would have all teachers read chapter 3!>
This book is suitable for those with an interest in the performing arts and are looking for a general theory that provides a conceptual framework by which to assess different performative interpretations of a piece of work.