Making Disability Modern: Design Histories
Editat de Bess Williamson, Elizabeth Guffeyen Limba Engleză Paperback – 20 aug 2020
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Specificații
ISBN-13: 9781350070424
ISBN-10: 1350070424
Pagini: 264
Ilustrații: 20 bw illus
Dimensiuni: 150 x 229 x 15 mm
Greutate: 0.41 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350070424
Pagini: 264
Ilustrații: 20 bw illus
Dimensiuni: 150 x 229 x 15 mm
Greutate: 0.41 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
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Cuprins
Acknowledgments
Introduction: Rethinking Design History through Disability, Rethinking Disability through Design
Elizabeth Guffey and Bess Williamson, School of the Art Institute of Chicago, USA
Section I: Designers and Users From Craft to Industry
Introduction
1. The Material Culture of Gout in Early America, Nicole Belolan (Rutgers University, USA)
2. Walking Cane Style and Medicalized Mobility, Cara Kiernan Fallon (University of Pennsylvania, USA)
3. Artificial Limbs on the Panama Canal, Caroline Lieffers (Yale University, USA)
4. Technologies for the Deaf in British India, 1850-1950, Aparna Nair (University of Oklahoma, USA)
Section II: Disability and World-Making in the Twentieth Century
Introduction
5. The Ideologies of Designing for Disability, Elizabeth Guffey (Purdue University, USA)
6. Architecture, Science, and Disabled Citizenship, Wanda Katja Liebermann (Florida Atlantic University, USA)
7. Disability and Modern Chemical Sensitivities, Debra Riley Parr (Columbia College Chicago, USA)
8. Design for Deaf Education: An Early History of the National Technical Institute for the Deaf, Kristoffer Whitney (Rochester Institute of Technology, USA)
9. Designing the Japanese Walking Bag, Elizabeth Guffey (Purdue University, USA)
Section III: Making Disability Digital
Introduction
10. The Politics and Logistics of Ergonomic Design, Jennifer Kaufmann-Buhler (Purdue University, USA)
11. Designing Emergency Access: Lifeline & LifeCall, Elizabeth Ellcessor (University of Virginia, USA)
12. 3D Printed Prosthetics and the Uses of Design, Bess Williamson (School of the Art Institute of Chicago, USA)
13. Materializing User Identities and Digital Humanities, Jaipreet Virdi (University of Delaware, USA)
Introduction: Rethinking Design History through Disability, Rethinking Disability through Design
Elizabeth Guffey and Bess Williamson, School of the Art Institute of Chicago, USA
Section I: Designers and Users From Craft to Industry
Introduction
1. The Material Culture of Gout in Early America, Nicole Belolan (Rutgers University, USA)
2. Walking Cane Style and Medicalized Mobility, Cara Kiernan Fallon (University of Pennsylvania, USA)
3. Artificial Limbs on the Panama Canal, Caroline Lieffers (Yale University, USA)
4. Technologies for the Deaf in British India, 1850-1950, Aparna Nair (University of Oklahoma, USA)
Section II: Disability and World-Making in the Twentieth Century
Introduction
5. The Ideologies of Designing for Disability, Elizabeth Guffey (Purdue University, USA)
6. Architecture, Science, and Disabled Citizenship, Wanda Katja Liebermann (Florida Atlantic University, USA)
7. Disability and Modern Chemical Sensitivities, Debra Riley Parr (Columbia College Chicago, USA)
8. Design for Deaf Education: An Early History of the National Technical Institute for the Deaf, Kristoffer Whitney (Rochester Institute of Technology, USA)
9. Designing the Japanese Walking Bag, Elizabeth Guffey (Purdue University, USA)
Section III: Making Disability Digital
Introduction
10. The Politics and Logistics of Ergonomic Design, Jennifer Kaufmann-Buhler (Purdue University, USA)
11. Designing Emergency Access: Lifeline & LifeCall, Elizabeth Ellcessor (University of Virginia, USA)
12. 3D Printed Prosthetics and the Uses of Design, Bess Williamson (School of the Art Institute of Chicago, USA)
13. Materializing User Identities and Digital Humanities, Jaipreet Virdi (University of Delaware, USA)
Recenzii
Making Disability Modern makes a good reader that maps out the areas of tension, new discourse, and discussion points about design and disability from practical, social, cultural, and technological perspectives.
This book makes visible often-obscured aspects of human life, the built environment, and societal factors that materialize through design, disability, and their intersections over history and across continents.
A fascinating collection of critical cultural histories of disability objects, woven together with a narrative of 'the modern' and its connotations in society, industry and design. We need more books like this to connect disability studies and design.
At last! Since the publication in 2002 of the groundbreaking anthology, Artificial Parts, Practical Lives: Modern Histories of Prosthetics (NYU Press), scholarship has boomed at the intersection of disability studies and the history of technology. This new collection from Bloomsbury brings readers up to date with developments in the field, revising familiar historical throughlines with an original "design model of disability." Rather than situate disability outside modernism, with its predilection for clean lines and average bodies, the authors in Making Disability Modern rethink "dismodern" design and the modern ambitions of disabled designers themselves.
This book makes visible often-obscured aspects of human life, the built environment, and societal factors that materialize through design, disability, and their intersections over history and across continents.
A fascinating collection of critical cultural histories of disability objects, woven together with a narrative of 'the modern' and its connotations in society, industry and design. We need more books like this to connect disability studies and design.
At last! Since the publication in 2002 of the groundbreaking anthology, Artificial Parts, Practical Lives: Modern Histories of Prosthetics (NYU Press), scholarship has boomed at the intersection of disability studies and the history of technology. This new collection from Bloomsbury brings readers up to date with developments in the field, revising familiar historical throughlines with an original "design model of disability." Rather than situate disability outside modernism, with its predilection for clean lines and average bodies, the authors in Making Disability Modern rethink "dismodern" design and the modern ambitions of disabled designers themselves.