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Made-Up Asians: Yellowface During the Exclusion Era

Autor Esther Kim Lee
en Limba Engleză Paperback – 11 iul 2022
Winner of the 2023 American Society for Theatre Research Barnard Hewitt Award for Outstanding Research in Theatre History
  • Winner of the 2023 Association for Theatre in Higher Education Outstanding Book Award with Distinction in Scholarly Achievement
  • Winner of the 2023 American Theatre and Drama Society John W. Frick Award 
  • Finalist of the 2022 Theater Library Association George Freedley Memorial Award 
Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century. 
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Specificații

ISBN-13: 9780472055432
ISBN-10: 0472055437
Pagini: 282
Ilustrații: 23 illustrations
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.4 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press

Notă biografică

Esther Kim Lee is Professor of Theater Studies at Duke University.

Cuprins

Contents
 
List of Illustrations
Acknowledgments
Introduction – The Persistence of Yellowface
Chapter 1 – “A Dumb Chinese Slave”: The Stage Chinaman and Clown Yellowface
Chapter 2 - “Chinee by Nature”: Physiognomy and Scientific Yellowface
Chapter 3 – “How to Makeup”: Theatrical Makeup Guidebooks and Private Yellowface
Chapter 4 - “Dainty as Needs Be”: The White Actress and Cosmetic Yellowface
Chapter 5 – “The Oriental Eye”: Special Effects Technology and Prosthetic Yellowface
Epilogue – Casting as Gatekeeping
Appendix - Yellowface Instructions in Theatrical Makeup Guidebooks during the Exclusion Era
Notes
Bibliography
Index
 

Recenzii

2023 Barnard Hewitt Award for Outstanding Research in Theatre History Winner

2023 Outstanding Book Award with Distinction in Scholarly Achievement Winner

2023 John W. Frick Award Winner

2022 George Freedley Memorial Award Finalist

“Written for a wide audience from theater aficionados to Asian American performance makers to academics, this timely book illuminates a fascinating archive of make-up conventions derived from instructional manuals and specific case studies from both the stage and the cinema.”

"What is notable and made clearer by Lee’s book is how that “science” and things like acting performances worked together to produce the racist ideas that persisted throughout society. ...Esther Lee helps us to recognize and understand how the persistence of these practices comes from their deep roots and connections to the ways that race has been constructed in the US across history."
"Essential."
"Deftly analyzing vastly understudied materials ranging from images of performers in Aladdin to makeup  guidebooks, Made-Up Asians adds great depth to theatre historiography and contemporary discussions of yellowface. . . In deeply examining the origins and transformations of yellowface performance, Made-Up Asians helps readers to understand the long and pervasive practices of Asian exclusion in theatre and to ask how to bring forth a different future."

Descriere

Why and how Asian characters have been represented by non-Asian actors on stage and screen