Ma'luf: Reflections on the Arab Andalusian Music of Tunisia
Autor Ruth F. Davisen Limba Engleză Hardback – 25 feb 2005
This is the first English-language book on Tunisian music or any national tradition of Arab Andalusian music, and it is the only book in any language to survey the recent history of the ma'lûf since its modern revival in the early 20th century. Drawing from and expanding upon her extensive body of published writings, this book presents key aspects of Davis's original research on the ma'lûf, including its musical aesthetics, personalities, institutions and myths, through a century of modernization and change from the early twentieth century to the present day.
The text is enriched by original photographs, musical examples, and song texts in Arabic and English translation, including a complete transcription of a twenty-minute performance of a nuba - the principal genre of Arab Andalusian music.
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Specificații
ISBN-13: 9780810851382
ISBN-10: 0810851385
Pagini: 136
Dimensiuni: 146 x 224 x 18 mm
Greutate: 0.35 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Locul publicării:New York, United States
ISBN-10: 0810851385
Pagini: 136
Dimensiuni: 146 x 224 x 18 mm
Greutate: 0.35 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Locul publicării:New York, United States
Cuprins
Part 1 Preface
Part 2 Note
Chapter 3 1 The Nuba and the Arab Garden
Chapter 4 2 The Baron Rodophe d'Erlanger
Chapter 5 3 The Rashidiyya Institute: From Oral to Written Tradition
Chapter 6 4 Cultural Policy and the Ma'luf of Testour
Chapter 7 5 The Ma'luf, Popular Song and the Mass Media
Chapter 8 6 Voices of the Nineties
Part 9 References
Part 10 Index
Part 11 About the Author
Part 2 Note
Chapter 3 1 The Nuba and the Arab Garden
Chapter 4 2 The Baron Rodophe d'Erlanger
Chapter 5 3 The Rashidiyya Institute: From Oral to Written Tradition
Chapter 6 4 Cultural Policy and the Ma'luf of Testour
Chapter 7 5 The Ma'luf, Popular Song and the Mass Media
Chapter 8 6 Voices of the Nineties
Part 9 References
Part 10 Index
Part 11 About the Author
Recenzii
This volume serves as a good example of how one can apply reflective methods to ethnomusicology. Recommended. Upper-division undergraduates and above.
A delight to read ... the clarity of Davis's writing opens doors for many. The confluence of historical sources and the author's sensitive ethnographic study of contemporary practices enriches the texture of the music itself. Ma'luf provides a non-European perspective on nationalism that has long been wanting in studies of modernity. The book fully deserves to become a standard text in the study of music in the Middle East/North Africa.
This is an important work that provides a critical, clear and concise analysis of the impact of Tunisian cultural nationalism on, and through, the medium of music.
The musical form, like related Arab musical traditions in Morocco, Algeria, and Libya, is alleged to have been brought to North Africa by Muslims and Jews fleeing the Christian reconquest of Spain from the 10th to the 17th centuries. Davis (ethnomusicology, U. of Cambridge) examines the music in such terms as Arab musical aesthetics; modernization, Westernization, and Egyptianization; the use of notation in oral tradition; musical nationalism and cultural policy; concepts of art and popular; and relations between traditional music and the mass media.
A delight to read ... the clarity of Davis's writing opens doors for many. The confluence of historical sources and the author's sensitive ethnographic study of contemporary practices enriches the texture of the music itself. Ma'luf provides a non-European perspective on nationalism that has long been wanting in studies of modernity. The book fully deserves to become a standard text in the study of music in the Middle East/North Africa.
This is an important work that provides a critical, clear and concise analysis of the impact of Tunisian cultural nationalism on, and through, the medium of music.
The musical form, like related Arab musical traditions in Morocco, Algeria, and Libya, is alleged to have been brought to North Africa by Muslims and Jews fleeing the Christian reconquest of Spain from the 10th to the 17th centuries. Davis (ethnomusicology, U. of Cambridge) examines the music in such terms as Arab musical aesthetics; modernization, Westernization, and Egyptianization; the use of notation in oral tradition; musical nationalism and cultural policy; concepts of art and popular; and relations between traditional music and the mass media.