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Lost in the Forest

Autor R. M. Ballantyne
en Limba Engleză Paperback
"At sea once more " said Will Osten in a meditative mood. Our hero made this remark one night to himself, which was overheard and replied to by his friend, Captain Dall, in a manner that surprised him. "It's my opinion, doctor," said the captain in a low voice, "that this is the last time you or I will ever be at sea, or anywhere else, if our skipper don't look better after his men, for a more rascally crew I never set eyes on, and, from a word or two I have heard dropped now and then, I feel sure some mischief is in the wind. Come aft with me to a place where we ain't so likely to be overheard by eavesdroppers, and I'll tell you all about it."
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Specificații

ISBN-13: 9781499691887
ISBN-10: 1499691882
Pagini: 50
Dimensiuni: 152 x 229 x 3 mm
Greutate: 0.08 kg
Editura: CREATESPACE

Notă biografică

Robert Michael Ballantyne (1825 - 1894) was a Scottish author of juvenile fiction who wrote more than 100 books. He was also an accomplished artist and exhibited some of his water-colors at the Royal Scottish Academy. Ballantyne went to Canada aged 16 and spent five years working for the Hudson's Bay Company. He traded with the local Native Americans for furs, which required him to travel by canoe and sleigh to the areas occupied by the modern-day provinces of Manitoba, Ontario and Quebec, experiences that formed the basis of his novel Snowflakes and Sunbeams (1856). His longing for family and home during that period impressed him to start writing letters to his mother. Ballantyne recalled in his autobiographical Personal Reminiscences in Book Making (1893) that "To this long-letter writing I attribute whatever small amount of facility in composition I may have acquired." In 1856 Ballantyne gave up job working for a publishing firm to focus on his literary career and began the series of adventure stories for the young with which his name is popularly associated. The Coral Island (1857) and more than 100 other books followed in regular succession, his rule being in every case to write as far as possible from personal knowledge of the scenes he described.