Major survey of the artistic provocateur and trailblazer Linder (b.1954, Liverpool). Offers an illuminating overview of the past 50 years of this iconic artist's career, exploring the full range of Linder's thought-provoking work and underscoring the experimental and feminist impulses of her practice.

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Throughout her career, Linder has used photomontage as a potent instrument for dissecting and reshaping the portrayal and commercialisation of gender norms and sexual identity. Drawing from source materials extracted from magazines of the late twentieth century, she exposes the weighty stereotypes imposed on both ends of the gender spectrum: automobiles, DIY culture and pornography for men; fashion and domesticity for women. In addition to using found images from magazines, Linder has also used photographs of herself taking on various feminine personae, which navigate concepts of personal invention and the performative dimensions of identity. Her art is informed by a rich tapestry of influences spanning religious art, surrealism, mysticism, and the ever-evolving landscape of social media.

This volume - with new essays by Rachel Thomas, Marina Warner and Chris Kraus, and an interview with the artist by Gillian Fox - accompanies a major touring exhibition.