Knife-Woman: The Life of Louise Bourgeois
Autor Marie-Laure Bernadac Traducere de Lauren Elkinen Limba Engleză Hardback – 21 oct 2025
“The mischievous French artist comes alive in this deeply personal biography.”—Chloë Ashby, Times (UK)
Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.”
Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.
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Specificații
ISBN-13: 9780300268300
ISBN-10: 0300268300
Pagini: 472
Ilustrații: 36 color + 35 b-w illus.
Dimensiuni: 156 x 235 x 39 mm
Greutate: 0.9 kg
Editura: Yale University Press
Colecția Yale University Press
ISBN-10: 0300268300
Pagini: 472
Ilustrații: 36 color + 35 b-w illus.
Dimensiuni: 156 x 235 x 39 mm
Greutate: 0.9 kg
Editura: Yale University Press
Colecția Yale University Press
Recenzii
“The mischievous French artist comes alive in this deeply personal biography.”—Chloë Ashby, Times (UK)
“Fullest account to date of the life of one of the most influential artists of the last century. But it also delivers, as the best biographies do, a coherent and consistently stimulating interpretation of the wellsprings of Bourgeois’s art.”—Christoph Irmscher, Art Newspaper
“Writing the first comprehensive biography of a major artist could prove daunting, but taking on Bourgeois’s long life in art might be called heroic. . . . Vivid and thorough, . . . Bernadac’s book is an impressive undertaking.”—Bridget Quinn, Hyperallergic
“The book charts Bourgeois’s performances, her fierce independence, and the visceral, often disconcerting work that fused dreams, memory, anatomy, and autobiography over her seven-decade career. Throughout, Bourgeois’s singular voice slices through.”—Artnet, “8 Standout Art Books to Gift (or Keep) This Season”
“An insightful study of [Bourgeois’] work.”—Apollo
Listed by Hyperallergic in “12 Art Books to Read This Fall”
A Times (UK) “Shopping Pick,” Gabriella Bennett
“Bourgeois’s life was inseparable from her art and this too was constantly revised. One of the triumphs of Bernadac’s book is her sangfroid in dealing with this slipperiness . . . She was deeply untrustworthy, impossible to believe. Yet truth, as Bernadac notes, wasn’t the point. Louise Bourgeois had to be experienced.”—Charles Darwent, Literary Review
“Bernadac is a deft—if sometimes deflecting—stage manager, knowing just when to bring certain details and artworks into view. . . . And hat tip to Lauren Elkin for her agile translation of Bernadac and Bourgeois.”—Prudence Peiffer, Bookforum
A New York Trend Recommended “Winter Read,” 2025
“The book’s incorporation of so much of the artist’s unfiltered voice grants readers unprecedented access into her complex and at times shocking inner world. . . Lauren Elkin handles these unique, often emotionally raw documents—which are penned in Bourgeois’ idiosyncratic blend of French and English—with aplomb.”—Lauren Moya Ford, Glasstire
Finalist for the French-American Translation Prize, sponsored by the French-American Foundation and the Florence Gould Foundation
“In Knife-Woman, Louise Bourgeois is revealed as a complex, self-analyzing, and profound artist—embedded and respected in both the New York and Paris art worlds, impassioned by materials, and worldly and introspective. Her penchant for living for work was periodically arrested by the agony of depression, yet this never stopped the flow of wit, insight, and creative energy.”—Griselda Pollock, author of After-Affects/After-Images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum
“Bernadac’s remarkable biography has made the telling of Louis Bourgeois’s life into a new art. Bernadac’s alive present tense and thoughtful recollections coexist in the text—simultaneously one lives with Louise and learns all there is to know about her.”—Juliet Mitchell, University of Cambridge
“Marie-Laure Bernadac’s brilliant biography provides a treasure trove of fascinating insights into an extraordinary artist's life and introduces a new generation of artists and scholars to her work.”—Jo Applin, author of Eccentric Objects: Rethinking Sculpture in 1960s America (Yale, 2012)
“Fullest account to date of the life of one of the most influential artists of the last century. But it also delivers, as the best biographies do, a coherent and consistently stimulating interpretation of the wellsprings of Bourgeois’s art.”—Christoph Irmscher, Art Newspaper
“Writing the first comprehensive biography of a major artist could prove daunting, but taking on Bourgeois’s long life in art might be called heroic. . . . Vivid and thorough, . . . Bernadac’s book is an impressive undertaking.”—Bridget Quinn, Hyperallergic
“The book charts Bourgeois’s performances, her fierce independence, and the visceral, often disconcerting work that fused dreams, memory, anatomy, and autobiography over her seven-decade career. Throughout, Bourgeois’s singular voice slices through.”—Artnet, “8 Standout Art Books to Gift (or Keep) This Season”
“An insightful study of [Bourgeois’] work.”—Apollo
Listed by Hyperallergic in “12 Art Books to Read This Fall”
A Times (UK) “Shopping Pick,” Gabriella Bennett
“Bourgeois’s life was inseparable from her art and this too was constantly revised. One of the triumphs of Bernadac’s book is her sangfroid in dealing with this slipperiness . . . She was deeply untrustworthy, impossible to believe. Yet truth, as Bernadac notes, wasn’t the point. Louise Bourgeois had to be experienced.”—Charles Darwent, Literary Review
“Bernadac is a deft—if sometimes deflecting—stage manager, knowing just when to bring certain details and artworks into view. . . . And hat tip to Lauren Elkin for her agile translation of Bernadac and Bourgeois.”—Prudence Peiffer, Bookforum
A New York Trend Recommended “Winter Read,” 2025
“The book’s incorporation of so much of the artist’s unfiltered voice grants readers unprecedented access into her complex and at times shocking inner world. . . Lauren Elkin handles these unique, often emotionally raw documents—which are penned in Bourgeois’ idiosyncratic blend of French and English—with aplomb.”—Lauren Moya Ford, Glasstire
Finalist for the French-American Translation Prize, sponsored by the French-American Foundation and the Florence Gould Foundation
“In Knife-Woman, Louise Bourgeois is revealed as a complex, self-analyzing, and profound artist—embedded and respected in both the New York and Paris art worlds, impassioned by materials, and worldly and introspective. Her penchant for living for work was periodically arrested by the agony of depression, yet this never stopped the flow of wit, insight, and creative energy.”—Griselda Pollock, author of After-Affects/After-Images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum
“Bernadac’s remarkable biography has made the telling of Louis Bourgeois’s life into a new art. Bernadac’s alive present tense and thoughtful recollections coexist in the text—simultaneously one lives with Louise and learns all there is to know about her.”—Juliet Mitchell, University of Cambridge
“Marie-Laure Bernadac’s brilliant biography provides a treasure trove of fascinating insights into an extraordinary artist's life and introduces a new generation of artists and scholars to her work.”—Jo Applin, author of Eccentric Objects: Rethinking Sculpture in 1960s America (Yale, 2012)
Notă biografică
Marie-Laure Bernadac is a former curator at the Louvre, Musée Picasso, Centre Pompidou, and the CAPC Musée d’art contemporain de Bordeaux and a leading specialist on Louise Bourgeois. Lauren Elkin is an award-winning writer and translator. Her books include Art Monsters: Unruly Bodies in Feminist Art.