Joseph Conrad's Texts and Intertexts

Ewa Kujawska-Lis: Wies¿aw Krajka. Appreciation

Ewa Kujawska-Lis: Introduction

Mägorzata Stanek: Imagination and Inertness: Escapes and Fictional Spaces in Conrad

Jaros¿aw Giza: Conradian femmes fatales ¿ Winnie Verloc, Freya, the Governess, and Susan Bacadou: Utterly Evil?

Sylwia Janina Wojciechowska: Patterns of Nostalgia in the Autobiographical Reflections of Joseph Conrad and Henry James

Anna Szczepan-Wojnarska: Almayer¿s Aria

Brian Richardson: Sense Perception and Synaesthesia in Conrad¿s Fiction

Peter Vernon: ¿The Gaiety of Language is Our Seigneur¿: On the Function of Art in Some of Conrad¿s Major Works

Michel Arouimi: Poetics of Contradiction in The Secret Agent

Maria Paola Guarducci: (Un)Familiar Ground. European Domestic Dramas in the Fiction of Joseph Conrad

Agnieszka Setecka: The Sociology of Information in Joseph Conrad¿s The Secret Agent

Nergis Ünal: A Bakhtinian Analysis of the Protagonist¿s Ethical Dilemmas in Joseph Conrad¿s Under Western Eyes
Laurence Davies: Conrad¿s Fascination with Illicit Bombs and Weaponry

Brygida Pude¿ko: H. G. Wells and Joseph Conrad: The Art of Fiction and Recurring Themes in Their Works
Gräyna Maria Teresa Branny: Intertextuality and Denegation in Conrad¿s Earliest Short Story ¿The Black Mate¿

David Schauffler: Yanko Goorall and Espen Arnakke: Similarities and Differences between ¿Amy Foster¿ and En sjømann går i land by Aksel Sandemose

Subhadeep Ray: ¿Why not tell me a tale?¿: Dislocating the Genre in Joseph Conrad¿s ¿The Tale¿ and Premendra Miträs ¿The Discovery of Telen¿pot¿¿

Balázs Csizmadia: Narrated Drama: János Gosztonyi¿s Büvölet as an Adaptation of Conrad¿s Victory

Chris Cairney: Conrad in an Age of Social Justice: Teaching The Secret Agent in Light of Contemporary Issues