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Jesús María Sanromá: An American Twentieth-Century Pianist

Autor Alberto Hernández
en Limba Engleză Paperback – 2 mai 2008
Puerto Rican born Jesús María Sanromá (1902-1984) was one of the leading pianists in the United States. After graduating from the New England Conservatory, he embarked on an enviable concert career as official pianist for the Boston Symphony Orchestra, as well as soloist with other leading American orchestras. He was an accompanist, a recording artist, and a teacher, and he also stimulated and commissioned composers to write new music, fueled by his eagerness to present it to the general public.

Jesús María Sanromá: An American Twentieth-Century Pianist is the first biography of this talented performer and one of the first books written about a native Puerto Rican classical musician. The book depicts many facets of Sanromá's life: his youth in Puerto Rico; his training at the Conservatory and abroad; his amazing concert career and collaboration with first-class musicians, conductors, and composers; his historical performances and recordings; and the zenith of his musical life when he returned home. Alberto Hernández provides abundant information about Sanromá's life, career, and professional relationships, uniquely documenting the pianist's close association and collaboration with Paul Hindemith, Serge Koussevitzky, Walter Piston, Nicolas Slonimsky, Vladimir Dukelsky, Mrs. Edward MacDowell, Arthur Fiedler, William Primrose, and many others. Two appendixes offer the complete sound archives and a list of Sanromá's impressive orchestra repertory, making this book a valuable reference as well as an informative read for music lovers and students of American and Latin American history.
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Specificații

ISBN-13: 9780810860452
ISBN-10: 0810860457
Pagini: 339
Ilustrații: black & white illustrations
Dimensiuni: 155 x 229 x 24 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Locul publicării:New York, United States

Recenzii

For Alberto Hernández this biography was eight years and one sabbatical in the writing, and has been a true labour of love. Presented in a very readable style, it is well-researched, illustrated with black and white photographs and commendably detailed in its rigorous scrutiny of Sanromá's life; it held my interest throughout. Detailed notes are conveniently situated at the end of each chapter. There are two appendices: the first is a comprehensive repertoire listing, with the second offering a list of private and commercial recordings sourced from Esteban Moreno, the Sanromá family and the author. Finally, there's a helpful bibliography. All told, this first rate study gets my full-hearted recommendation and is well worth tracking down.
Though the book one sees a vast amount of data unearthed from the pianist's family collection and memorabilia donated to the Archivo General de Puerto Rico. Although the material if this collection still remain to be exhausted, Hernández included and digested to his best as much of it as he could possibly deal with, for the sake of English-language readers willing to appreciate the true magnitude of the Sanromá as a world-ranked concert pianist. Puerto Rico's musical education will hopefully be addressed in subsequent studies that may potentially enhance the contributions of the now indispensable book by Albert Hernández.