Jacques Copeau: Routledge Performance Practitioners
Autor Mark Evansen Limba Engleză Hardback – 12 dec 2017
Noe reissued, Jacques Copeau combines:
- an overview of Copeau's life and work
- an analysis of his key ideas
- a detailed commentary of his 1917 production of Moliere's late farce Les Fourberies de Scapin – the opening performance of his influential New York season
- a series of practical exercises offering an introduction to Copeau's working methods.
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Specificații
ISBN-13: 9781138571716
ISBN-10: 1138571717
Pagini: 188
Dimensiuni: 129 x 198 x 18 mm
Greutate: 0.51 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Performance Practitioners
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138571717
Pagini: 188
Dimensiuni: 129 x 198 x 18 mm
Greutate: 0.51 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Performance Practitioners
Locul publicării:Oxford, United Kingdom
Cuprins
THE LIFE OF JACQUES COPEAU
- The formative years
The Théâtre du Vieux-Colombier (1913–1917)
The Vieux-Colombier in New York (1917–1919)
The Company returns and the School re-opens (1919–1924)
The retreat to Burgundy – Les Copiaus (1924–1929)
Popular theatre, the Comédie-Française, and sacred drama (1929–1949)
Le Patron
- The rejuvenation of the theatre
The education of the creative actor
Popular forms of theatre: ancient, modern and sacred
- Les Fourberies de Scapin (The Tricks of Scapin) by Molière
The play: a synopsis of the plot
Why did Copeau choose this play?
Staging
Rehearsing and acting: the actor’s approach to
Les Fourberies de Scapin
A different kind of realism
Symbolism and Scapin
Framing the event
Critical reaction
Where next: a new commedia?
- Educating the actor: the context
Before beginning
Physical preparation
Improvisation
Mask-work
The chorus
The journey’s end
Notă biografică
Mark Evans is Professor of Theatre Training and Education, at Coventry University.
Descriere
Now reissued, this book examines Jacques Copeau, a leading figure in the development of twentieth century theatre practice, a pioneer for work on actor-training, physical theatre and ensemble acting, and a key innovator in the movement to de-centralize theatre and culture to the regions. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Jacques Copeau is unbeatable value for today's student.