Is Art Good for Us?: Beliefs about High Culture in American Life
Autor Joli Jensenen Limba Engleză Paperback – 8 apr 2002
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Specificații
ISBN-13: 9780742517417
ISBN-10: 0742517411
Pagini: 224
Dimensiuni: 154 x 227 x 20 mm
Greutate: 0.35 kg
Ediția:0224
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
ISBN-10: 0742517411
Pagini: 224
Dimensiuni: 154 x 227 x 20 mm
Greutate: 0.35 kg
Ediția:0224
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
Cuprins
Chapter 1 Introduction: Is Art Good for Us?
Chapter 2 Exemplary Voices: Tocqueville, Whitman, and Mumford
Chapter 3 Arts for Renewal, Revolution, Conservation, and Subversion
Chapter 4 Art as Antidote: The Mass Culture Debates
Chapter 5 Art as Elixir: Contemporary Arts Discourse
Chapter 6 Art as Experience: John Dewey's Aesthetics
Chapter 7 Conclusion: The Value of Expressive Logic
Chapter 2 Exemplary Voices: Tocqueville, Whitman, and Mumford
Chapter 3 Arts for Renewal, Revolution, Conservation, and Subversion
Chapter 4 Art as Antidote: The Mass Culture Debates
Chapter 5 Art as Elixir: Contemporary Arts Discourse
Chapter 6 Art as Experience: John Dewey's Aesthetics
Chapter 7 Conclusion: The Value of Expressive Logic
Recenzii
In this brilliant work, Joli Jensen speaks with the reach and range and assurance of the public intellectuals she has read so carefully. She shows that 'we have not been thinking or talking wisely or well about the arts.' Through original readings of Alexis de Tocqueville, Walt Whitman, Lewis Mumford, and John Dewey, she argues that the mass media are not so bad nor 'art' so good for us as public discourse assumes. In clear-headed, strong, and almost breathtakingly lucid prose, she helps us reconsider what we want and expect of art, criticism, and democracy. What a gift this book is!
Stimulating read.
Its refreshing honesty and forthrightness require a solid argumentation, and Jensen delivers through a detailed examination and critique of the underpinnings of the instrumentalist position in social and art criticism through successive moments from the late nineteenth century to the present day. The integration of social criticism or analysis of artistic practice and communicative policies offers innovative and fresh insights and holds out a promise for a new direction in arts policy. This book should be required reading for those in the spheres of cultural-policy work and social criticism. Its clear and compelling message should be heeded by all of us who care about art, creativity, and democracy.
Joli Jensen pulls all of the right strings in this fascinating analysis.
The bluntness of Joli Jensen's title indicates the no-nonsense approach she takes to making a public case for the arts. . . . The resulting book is, quite literally, required reading. I'm assigning this volume as the opening text for my 'Cultural Policy and the Arts' graduate seminar this semester, because it frames, historicizes, and argues the essential questions so cogently.
Joli Jensen makes an elegant case against the modern cult of art: It isn't what art purportedly does to us, but what we do with art that matters. Jensen reveals art's true significance by defending the universality of its experience.
Stimulating read.
Its refreshing honesty and forthrightness require a solid argumentation, and Jensen delivers through a detailed examination and critique of the underpinnings of the instrumentalist position in social and art criticism through successive moments from the late nineteenth century to the present day. The integration of social criticism or analysis of artistic practice and communicative policies offers innovative and fresh insights and holds out a promise for a new direction in arts policy. This book should be required reading for those in the spheres of cultural-policy work and social criticism. Its clear and compelling message should be heeded by all of us who care about art, creativity, and democracy.
Joli Jensen pulls all of the right strings in this fascinating analysis.
The bluntness of Joli Jensen's title indicates the no-nonsense approach she takes to making a public case for the arts. . . . The resulting book is, quite literally, required reading. I'm assigning this volume as the opening text for my 'Cultural Policy and the Arts' graduate seminar this semester, because it frames, historicizes, and argues the essential questions so cogently.
Joli Jensen makes an elegant case against the modern cult of art: It isn't what art purportedly does to us, but what we do with art that matters. Jensen reveals art's true significance by defending the universality of its experience.