This richly illustrated volume highlights the history of Islamic cosmopolitanism as documented through works of art from the eighth century to the present; from the Mediterranean, North Africa, South Asia, and the United States; and including painting, architecture, textiles, calligraphy, photography, and animation. These essays examine Muslim artists, patrons, and collectors' engagement with global influences, as well as artistic exchange between Muslim and non-Muslim societies.
Drawing on Kwame Anthony Appiah's view of cosmopolitanism as respect for the differences among people and acknowledgement of a shared community across those differences, leading scholars offer case studies of art objects that illustrate such dynamics in the Islamic cultural sphere. In doing so, they bring Islamic art history into dialogue with western European Medieval art, Byzantine art, African art, global modern art, and American art and architecture. This timely volume demonstrates the importance of cultivating coexistence, becoming citizens of the world, and recognizing the possibilities of cultural intersections. It provides historical examples of such intersections, for which works of art provide a visual testament.
A volume in the David A. Cofrin Asian Art Manuscript Series, edited by Allysa B. Peyton