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Intersectionality in 'Folk' Performance through Identity and Expression: Performance Studies & Cultural Discourse in South Asia, cartea 4

Autor Jashodhara Sen
en Limba Engleză Hardback – 17 apr 2026

Din seria Performance Studies & Cultural Discourse in South Asia

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Specificații

ISBN-13: 9789819522736
ISBN-10: 9819522730
Pagini: 268
Ilustrații: XIV, 252 p. 17 illus., 16 illus. in color.
Dimensiuni: 160 x 241 x 21 mm
Greutate: 0.52 kg
Editura: Springer
Colecția Performance Studies & Cultural Discourse in South Asia
Seria Performance Studies & Cultural Discourse in South Asia


Notă biografică

Dr. Jashodhara Sen is Assistant Professor of Theatre History and Literary Criticism, and Dramaturgy at the University of Florida. Her research traces the political and cultural histories of Bengali jatra as a socially charged form of grassroots engagement, while also examining liberatory performances across South Asia and the diaspora. Drawing on postcolonial, decolonial, and subaltern studies, her work bridges theatre history, cultural studies, gender and sexuality studies, and autoethnography.

Sen’s scholarship has been featured in leading journals including Asian Theatre Journal, Journal of Dramatic Theory and Criticism, Ecumenica, New England Theatre Journal, and Texas Theatre Journal. Her Routledge chapter, "Crossing Borders and Transforming Gender Identities: Mahesh Dattani and Manjula Padmanabhan" (2024), explores gender and contemporary Indian theatre. She also translates Bengali and Hindi plays, often unpublished or out of print, as acts of cultural preservation and revitalization, bringing vital yet overlooked voices to new audiences and ensuring their continued presence on global stages.

Her creative practice includes "Leaving Home, Finding Home," a digital storytelling platform that engages with South Asian immigrant women and redefines audience-participant relationships in alternative theatrical spaces. Sen brings her commitment to cultural sustainability and inclusive pedagogy into the classroom at the University of Florida’s School of Theatre and Dance, where she treats teaching itself as a radical act of performance and cultural renewal.