What do independence and collectivity have to do with dis/ability performance? This book offers a groundbreaking interdisciplinary exploration of how these two concepts intersect, challenge, and reshape our understanding of performance within disability contexts.
Inside, readers will find a rich collection of essays that examine dis/ability performance both as artistic and activist practice and as a concept tied to capacity, ableism, and cultural resistance. This book interrogates the tension between individual and collective approaches to performance through four distinct lenses: crip and disability theory, which emphasizes interdependence in everyday life and disability arts; performance studies, which unpack ableist imperatives and dis/abled practices; (auto)ethnographic perspectives, revealing contradictions and negotiations around independence and identity; and practical strategies for navigating these dynamics within disability communities. Together, these contributions invite readers to rethink independence and collectivity as fluid, interconnected forces shaping cultural and political resistance.
This volume is essential reading for students and scholars in disability studies, theatre and performance, film and media studies, sociology, cultural anthropology, American studies, and queer and gender studies. Anyone interested in disability arts, activism, and the politics of performance will find this book an invaluable resource.