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Incongruous Entertainment

Autor Steven Cohan
en Limba Engleză Paperback – 20 oct 2005

Descoperim în acest volum format monografie o incursiune fascinantă în „epoca de aur” a studiourilor MGM, perioadă în care costumele somptuoase și decorurile exuberante nu erau doar elemente de divertisment, ci piloni ai unei estetici complexe. Subliniem modul în care Steven Cohan deconstruiește mitul conform căruia sensibilitatea „camp” și aprecierea publicului larg ar fi fost în contradicție; din contră, autorul demonstrează că extravaganța și nuanțele queer au fost deliberate, fiind cheia succesului comercial al genului. Pe raftul de artă cinematografică, alături de Hollywood Musicals, The Film Reader, acest volum se distinge prin focalizarea sociologică asupra echipei de producție, explorând contribuția esențială a artiștilor gay care au modelat identitatea vizuală a MGM.

Reținem analiza nuanțată a starurilor epocii, de la fragilitatea iconică a lui Judy Garland la persona masculină a lui Gene Kelly, oferind cititorului o experiență de lectură care îmbină rigoarea academică cu plăcerea descoperirii detaliilor de culise. Cele 103 fotografii alb-negru incluse funcționează ca un ghid vizual indispensabil, punctând momentele de spectacol pur care au definit producții precum „Singin' in the Rain”. În contextul operei sale, Incongruous Entertainment continuă preocuparea lui Cohan pentru identitate și imagine, temă regăsită și în lucrarea sa On Audrey Hepburn, însă aici perspectiva se lărgește de la individ la mecanismul complex al unui întreg studio de film. Este o lucrare care transformă nostalgia în analiză critică, invitându-ne să privim dincolo de sclipiciul ecranului.

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Specificații

ISBN-13: 9780822335955
ISBN-10: 0822335956
Pagini: 384
Ilustrații: 103 b&w photographs
Dimensiuni: 152 x 236 x 25 mm
Greutate: 0.54 kg
Editura: Duke University Press

De ce să citești această carte

Recomandăm această carte pasionaților de istoria cinematografiei și studii culturale care doresc să înțeleagă mecanismele din spatele strălucirii Hollywood-ului clasic. Cititorul câștigă o perspectivă nouă asupra modului în care subculturile au influențat cultura mainstream, totul documentat prin fotografii de arhivă. Este o lectură esențială pentru a înțelege de ce musicalurile MGM rămân relevante și astăzi, dincolo de simplul divertisment.


Despre autor

Steven Cohan este profesor emerit în cadrul Departamentului de Engleză la Syracuse University, fiind unul dintre cei mai respectați cercetători ai filmului american clasic. Expertiza sa se concentrează pe intersecția dintre gen (gender), identitate și cultura vizuală în cinematografia de la jumătatea secolului XX. Printre lucrările sale de referință se numără „Masked Men: Masculinity and the Movies in the Fifties” și studii dedicate unor figuri iconice sau fenomenului CSI: Crime Scene Investigation. Prin scrierile sale, Cohan reușește să aducă analize teoretice profunde într-un limbaj accesibil, reevaluând constant valoarea culturală a divertismentului popular.


Descriere scurtă

With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the mgm musical, Steven Cohan argues that this seeming incongruity--between the camp value and popular appreciation of these musicals--is not as contradictory as it seems. He demonstrates that the films' extravagance and queerness were deliberate elements and keys to their popular success. In addition to examining the spectatorship of the mgm musical, Cohan investigates the genre's production and marketing, paying particular attention to the studio's employment of a largely gay workforce of artists and craftspeople. He reflects on the role of the female stars--including Judy Garland, Debbie Reynolds, Esther Williams, and Lena Horne--and he explores the complex relationship between Gene Kelley's dancing and his masculine persona. Cohan looks at how, in the decades since the 1950s, the marketing and reception of the mgm musical have negotiated the more publicly recognized camp value attached to the films. He considers the status of "Singin' in the Rain" as perhaps the first film to be widely embraced as camp; the repackaging of the musicals as nostalgia and camp in the "That's Entertainment " series as well as on home video and cable; and the debates about Garland's legendary gay appeal among her fans on the Internet. By establishing camp as central to the genre, "Incongruous Entertainment" provides a new way of looking at the musical.

Recenzii

“Steven Cohan’s Incongruous Entertainment brings together two fascinating subjects—camp and the musical—that are often casually linked but have never been explored as carefully and usefully as they are here.”—Pamela Robertson Wojcik, author of Guilty Pleasures: Feminist Camp from Mae West to Madonna“Steven Cohan’s scholarship is impeccable and his writing elegant and witty. He pulls together all the previous approaches to camp and uses them to explore the mgm musical and its stars from every angle I could think of—and a few I would never have thought of.”—Alexander Doty, author of Flaming Classics: Queering the Film Canon“Cohan meticulously supports his argument with detailed examples while eloquently and often humorously bringing the musicals and their stars to life. Both fans and novices are invited to rethink the political import of the MGM musicals from the studio era through the present. . . . Because of Cohan's revisionist scholarship, this book is also an essential read for anyone who studies camp and musicals.”—Leah Perry, Journal of Popular Culture“[I]nformative…[and] interesting…Greater than the sum of its parts, E.T. Culture is a liminal exploration of UFOs and related phenomena as expressions of western culture’s project to exterminate boundaries between self and other, real and fantastic, everyday and uncanny, earthly and unearthly, human and posthuman.” —Doland Palumbo, The Journal of American Culture
"Steven Cohan's Incongruous Entertainment brings together two fascinating subjects--camp and the musical--that are often casually linked but have never been explored as carefully and usefully as they are here."--Pamela Robertson Wojcik, author of Guilty Pleasures: Feminist Camp from Mae West to Madonna "Steven Cohan's scholarship is impeccable and his writing elegant and witty. He pulls together all the previous approaches to camp and uses them to explore the mgm musical and its stars from every angle I could think of--and a few I would never have thought of."--Alexander Doty, author of Flaming Classics: Queering the Film Canon "Cohan meticulously supports his argument with detailed examples while eloquently and often humorously bringing the musicals and their stars to life. Both fans and novices are invited to rethink the political import of the MGM musicals from the studio era through the present... Because of Cohan's revisionist scholarship, this book is also an essential read for anyone who studies camp and musicals."--Leah Perry, Journal of Popular Culture "[I]nformative...[and] interesting...Greater than the sum of its parts, E.T. Culture is a liminal exploration of UFOs and related phenomena as expressions of western culture's project to exterminate boundaries between self and other, real and fantastic, everyday and uncanny, earthly and unearthly, human and posthuman." --Doland Palumbo, The Journal of American Culture

Notă biografică

Steven Cohan is Professor of English at Syracuse University. He is the author of "Masked Men: Masculinity and the Movies in the Fifties"; the editor of "Hollywood Musicals: The Film Reader"; and a coeditor of "The Road Movie Book" and "Screening the Male: Exploring Masculinities in Hollywood Cinema."

Textul de pe ultima copertă

"Steven Cohan's scholarship is impeccable and his writing elegant and witty. He pulls together all the previous approaches to camp and uses them to explore the mgm musical and its stars from every angle I could think of--and a few I would never have thought of."--Alexander Doty, author of "Flaming Classics: Queering the Film Canon"

Descriere

A look at the camp cult appeal of MGM musicals of the 1940s and 50s to gay men today, along with an historical analysis of the films' production histories