Newgate was the first prison to which Charles Dickens gave any literary attention. An account of a visit to it appears among the early "Sketches by Boz." It is also the only one of the London jails of which he has left us graphic descriptions, or briefer, spirited sketches, which preserves to-day so much of its original character as to be identifiable in detail by the student of his works. The Fleet and the King's Bench have disappeared. The Marshalsea may only be recognized by slight surviving landmarks. But the sombre and sullen bulk of Newgate rears itself in the heart of London, a sinister monument to the horrors bred by a civilization rotten of its own over-ripeness, in the forcing-bed of the most magnificent, wonderful and monstrously terrible city of the world. If external gloom could exercise an influence to deter anyone from the commission of crime of which it is a part of the penalty, Newgate would never have any inmates. Surrounded at the time of my introductory visit to it, as an accidental but not legally involuntary visitor, by low public-houses, poor shops and a tumble-down market, all bearing the grime of age and the marks of decay, as if the frown of the great jail had blighted them; with the foul, miry lane of Newgate street, and the scarcely-cleaner Old Bailey, alive with muddy carts and shabby people, skulking roughs, draggled women and squalling children, no man who had no business there would care, once having seen it, to seek it out again. Being then new in London, I had been begriming myself among the old books of St. Paul's Churchyard until I was tired and thirsty, and strolling along Ludgate Hill in quest of refreshment, turned into the second street I came to. A few steps more and I found myself stopping at another street corner to look at an immense and grim mass of gray stone towering loftily in the fog, with little windows here and there along its frowning wall.