How Documentaries Work
Autor Jacob Briccaen Limba Engleză Paperback – 14 mar 2023
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Specificații
ISBN-13: 9780197554111
ISBN-10: 0197554113
Pagini: 230
Ilustrații: 100 B&W illustrations
Dimensiuni: 141 x 209 x 14 mm
Greutate: 0.31 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0197554113
Pagini: 230
Ilustrații: 100 B&W illustrations
Dimensiuni: 141 x 209 x 14 mm
Greutate: 0.31 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
A masterful deconstruction of documentary techniques, with impressive original research. This book is recommended for everyone interested in how documentaries are made, especially students in film production and critical studies.
Jacob Brica's brilliant new book is a thoughtful and thorough exploration of the grammar of documentary. This is a must read --for filmmakers and viewers alike-- as Bricca deconstructs the tools and tricks of our trade. As someone who has been editing documentaries for years, I found that every word of this book rings true.
Deftly combining practical experience and scholarly sources, How Documentaries Work is an ideal primer for introducing students to documentary practices and conventions...Essential. All readers.
Jacob Brica's brilliant new book is a thoughtful and thorough exploration of the grammar of documentary. This is a must read --for filmmakers and viewers alike-- as Bricca deconstructs the tools and tricks of our trade. As someone who has been editing documentaries for years, I found that every word of this book rings true.
Deftly combining practical experience and scholarly sources, How Documentaries Work is an ideal primer for introducing students to documentary practices and conventions...Essential. All readers.
Notă biografică
Jacob Bricca, ACE, is Associate Professor at the University of Arizona's School of Theatre, Film and Television. He is an award-winning documentary editor, producer, director, and scholar whose films have screened worldwide from Sundance to the Berlinale. His is the author of Documentary Editing: Principles and Practice (2018), a definitive textbook on documentary editing that is used by film schools around the world, including the USC School of Cinematic Arts, UCLA, and the MET Film School in London.
Cuprins
- INTRODUCTION
- CHAPTER 1: RAW MATERIALS
- Verité
- Interviews
- Archival
- Reenactments and Animation
- Voiceover Narration
- Title Cards
- CHAPTER 2: MEANING
- Creating Meaning Within the Interview Frame
- Creating Visual Uniformity with Interviews
- Creating Meaning with Objects in the Frame
- Creating Meaning with Words
- Interview-As-Narration
- Creating Meaning with Verité
- Open vs. Closed Meanings
- CHAPTER 3: NARRATIVE
- The Setup
- Position
- The Crisis Moment
- Producing the Narrative Turn
- Producing the Narrative Turn with Juxtaposition
- Micro-Narratives
- Callbacks
- Non-Narrative Documentaries
- CHAPTER 4: PRESENCE FRAMING
- Observational Framing
- The Semi-Staged Scene
- The Participatory Frame
- Narration and the Participatory Frame
- Voice of God Narration
- Altering the Outcome
- The Reflexive Frame
- CHAPTER 5: FLOW
- Unifying with Sound
- Pivots and Pauses
- Juxtaposition
- Collective Memory
- CHAPTER 6: TIME
- The Experience of Time in Verité
- The Interleaving of Scenes
- Use of the Present Tense
- CHAPTER 7: TITLES
- Naming Characters
- Conferring Legitimacy
- Look and Feel
- Subtitles
- CHAPTER 8: ARCHIVAL
- Archival Treatments
- Manipulation of Newspaper Assets
- Historical Shorthand
- CHAPTER 9: SOUND
- Sweetening
- Foley
- Time and Space
- Framing Presence with Sound: The Cave and For Sama
- CHAPTER 10: MUSIC
- Fear of Music
- Film vs. Television
- Verité vs. Expository, Interviews vs. Archival
- Tone
- Procedural Music
- CONCLUSION The Brave New World of Hybridity in Documentary
- Acknowledgements
- Appendix: List of Films and Television Shows Cited