Hong Kong Cinema: A Cross-Cultural View
Editat de Law Kar, Frank Brenen Limba Engleză Hardback – 17 sep 2004
In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong's early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium's continued appeal to contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong's contribution to world cinema.
Illustrated with photos.
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Specificații
ISBN-13: 9780810849860
ISBN-10: 0810849860
Pagini: 400
Dimensiuni: 187 x 234 x 31 mm
Greutate: 0.74 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Locul publicării:New York, United States
ISBN-10: 0810849860
Pagini: 400
Dimensiuni: 187 x 234 x 31 mm
Greutate: 0.74 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Locul publicării:New York, United States
Cuprins
Part 1 Foreward
Part 2 Acknowledgments
Part 3 Introduction
Part 4 Part 1: East Meets West
Chapter 5 1. Beyond the Peep Show: Movies Come to China
Chapter 6 2. Ben Brodsky's China
Chapter 7 3. The Pioneers
Chapter 8 4. From America with Love: "Making This Colony the 'Hollywood of China'"
Chapter 9 5. The Ester Eng Story
Part 10 Part 2: North Meets South
Chapter 11 6. Interflows between Hong Kong, Shanghai, and Guangzhou
Chapter 12 7. Wartime Mobilization
Chapter 13 8. Postwar and Postliberation Transitions
Chapter 14 9. Into the Turbulent Sixties
Part 15 Part 3: Border Crossings
Chapter 16 10. Local versus Foreign: The Mainland and Overseas
Chapter 17 11. Expansion in Nanyang-Shaw Brothers versus Cathay
Chapter 18 12. Early Links with Asia Pacific
Chapter 19 13. Further Foreign Collaborations
Part 20 Part 4: Female Images
Chapter 21 14. Songstress/Prostitute
Chapter 22 15. Good Wife/Heroic Mother
Chapter 23 16. Sweet Birds of Youth
Chapter 24 17. The Majors Groom and the New Breed
Chapter 25 18. Wild, Wicked, and Sexy
Part 26 Part 5: East versus West
Chapter 27 19. The Modern Age
Chapter 28 20. Finale
Part 29 Appendixes
Chapter 30 1. Early Film Exhibition in Hong Kong and China
Chapter 31 2. Some Early Hong Kong Film Venues
Chapter 32 3. An Incomplete List of Early Film Production in Hong Kong and Mainland China: 1896-1908
Chapter 33 4. Full Text of the Account of an Early Film Show in Qi Garden, Published in Youxi Bao on September 5, 1897
Chapter 34 5. Benjamin Brodsky Filmography
Chapter 35 6. Hong Kong Release Years of California-Based Grandview's Feature Film Productions of 1941-1945
Chapter 36 7. Film Production in Hong Kong, 1957-1970
Chapter 37 8. Notes on Terms and Names
Part 38 Bibliography
Part 39 Film Index
Part 40 General Index
Part 41 Personal Names Index
Part 2 Acknowledgments
Part 3 Introduction
Part 4 Part 1: East Meets West
Chapter 5 1. Beyond the Peep Show: Movies Come to China
Chapter 6 2. Ben Brodsky's China
Chapter 7 3. The Pioneers
Chapter 8 4. From America with Love: "Making This Colony the 'Hollywood of China'"
Chapter 9 5. The Ester Eng Story
Part 10 Part 2: North Meets South
Chapter 11 6. Interflows between Hong Kong, Shanghai, and Guangzhou
Chapter 12 7. Wartime Mobilization
Chapter 13 8. Postwar and Postliberation Transitions
Chapter 14 9. Into the Turbulent Sixties
Part 15 Part 3: Border Crossings
Chapter 16 10. Local versus Foreign: The Mainland and Overseas
Chapter 17 11. Expansion in Nanyang-Shaw Brothers versus Cathay
Chapter 18 12. Early Links with Asia Pacific
Chapter 19 13. Further Foreign Collaborations
Part 20 Part 4: Female Images
Chapter 21 14. Songstress/Prostitute
Chapter 22 15. Good Wife/Heroic Mother
Chapter 23 16. Sweet Birds of Youth
Chapter 24 17. The Majors Groom and the New Breed
Chapter 25 18. Wild, Wicked, and Sexy
Part 26 Part 5: East versus West
Chapter 27 19. The Modern Age
Chapter 28 20. Finale
Part 29 Appendixes
Chapter 30 1. Early Film Exhibition in Hong Kong and China
Chapter 31 2. Some Early Hong Kong Film Venues
Chapter 32 3. An Incomplete List of Early Film Production in Hong Kong and Mainland China: 1896-1908
Chapter 33 4. Full Text of the Account of an Early Film Show in Qi Garden, Published in Youxi Bao on September 5, 1897
Chapter 34 5. Benjamin Brodsky Filmography
Chapter 35 6. Hong Kong Release Years of California-Based Grandview's Feature Film Productions of 1941-1945
Chapter 36 7. Film Production in Hong Kong, 1957-1970
Chapter 37 8. Notes on Terms and Names
Part 38 Bibliography
Part 39 Film Index
Part 40 General Index
Part 41 Personal Names Index
Recenzii
Focusing on the impact of individual personalities, Kar...and Bren...introduce readers to Hong Kong's contribution to world cinema across the 20th century. In particular they explore the period from the beginning of cinema itself in the 1890s to roughly the 1970s, because' it's the source of what is produced in Hong Kong today. Their work is less a formal history than a view and review of the Hong Kong story, told through the pioneers, film workers, studio tycoons, Cantonese opera superstar, and others who shaped it.
...a readable and informative collaboration that explores Eastern and Western influences on Hong Kong cinema and Hong Kong's interaction with its markets in China and Southeast Asia....Recommended. Lower-division undergraduates through faculty and professionals.
Law Kar and Frank Bren's Hong Kong Cinema: A Cross-Cultural View is a detailed historical overview of cinema in Hong Kong. Placing Hong Kong cinema in the larger Chinese and regional context, this book moves from the earliest appearances of cinema in China to the 1970s, or the period in which contemporary Hong Kong cinema was in gestation. The lists of archives and libraries consulted and newspapers scoured, along with the appendices of detail and fact attest to the authors' commitment to primary research. At the same time, the engaging narrative that they produce demonstrates their genuine enthusiasm for a cinema they clearly love very deeply. For scholars of Hong Kong cinema, this will be a most useful mine of information....this engagingly written and meticulously produced work does not deserve to be overlooked, and I am sure that those who turn to it will find it very rewarding.
A highly readable account, Hong Kong Cinema is as enjoyable for the non-specialized general reader as it is for those in the film industry looking to flesh out their knowledge of the Hong Kong film industry.
...a readable and informative collaboration that explores Eastern and Western influences on Hong Kong cinema and Hong Kong's interaction with its markets in China and Southeast Asia....Recommended. Lower-division undergraduates through faculty and professionals.
Law Kar and Frank Bren's Hong Kong Cinema: A Cross-Cultural View is a detailed historical overview of cinema in Hong Kong. Placing Hong Kong cinema in the larger Chinese and regional context, this book moves from the earliest appearances of cinema in China to the 1970s, or the period in which contemporary Hong Kong cinema was in gestation. The lists of archives and libraries consulted and newspapers scoured, along with the appendices of detail and fact attest to the authors' commitment to primary research. At the same time, the engaging narrative that they produce demonstrates their genuine enthusiasm for a cinema they clearly love very deeply. For scholars of Hong Kong cinema, this will be a most useful mine of information....this engagingly written and meticulously produced work does not deserve to be overlooked, and I am sure that those who turn to it will find it very rewarding.
A highly readable account, Hong Kong Cinema is as enjoyable for the non-specialized general reader as it is for those in the film industry looking to flesh out their knowledge of the Hong Kong film industry.