Homebodies: Performance and Intimacy in the Age of New Media
Autor L. Archer Porter, Lindsey Archer Porteren Limba Engleză Paperback – 3 feb 2026
Porter utilizes hand-drawn illustrations in place of screenshots, which reflects their commitment to critiquing the exploitative dynamics of digital visibility while respecting the personal nature of the media studied. By examining the intersection of personal agency, algorithmic control, and the commodification of authenticity, Homebodies provides a nuanced understanding of how technology redefines intimacy, identity, and creativity in the twenty-first century.
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Specificații
ISBN-13: 9780472057849
ISBN-10: 0472057847
Pagini: 258
Ilustrații: 17 Illustrations
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.43 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
ISBN-10: 0472057847
Pagini: 258
Ilustrații: 17 Illustrations
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.43 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Notă biografică
L. Archer Porter is an artist-scholar of performance and new media, teaching in the Department of Theatre Arts & Dance at the University of Texas at Arlington.
Cuprins
List of Illustrations
Acknowledgements
Preface
Introduction
Chapter One. Candid Dancing
Introduction
Part One. Defining Candid Dancing
Choreography of Abandon
Aesthetics and Semiotics of the Candid Dancing Body
Part Two. Catching Candor, Imaging Abandon
Catching Intersectional Masculinity
Laboring Domesticity
Part Three. Circulating Candor
Conclusion
Chapter Two. Moving Selfies
Introduction
Part One. Defining the Moving Selfie
Anatomy of the Selfie
Autochoreography
Part Two. Choreographing the Moving Selfie
Mar’s Exposure
Donté Bufferings
Part Three. Circulating the Moving Selfie
The Feed
The Personal Profile
The Hashtag and the Mention
Conclusion
Chapter Three. Nonchalant Gestures
Introduction
Part One. Defining Nonchalant Gestures
Genealogy of Nonchalant Gestures
The Aesthetics and Semiotics of Nonchalant Gestures
The Choreography of Oblivion
Part Two. Screening Nonchalant Gestures
Whose Celebrity? Danko’s Celebrity
Living with Liv
Part Three. Circulating Nonchalant Gestures
Forgetting to Remember
The Marginalities of Marginality
The Other Side of Rogue
Conclusion
Chapter Four. Home Concerts
Introduction
Part One. Defining Home Concerts
Genealogy of Home Concerts
Minor Choreography
Aesthetics and Semiotics of Home Concerts
Part Two. Choreographing Childhood, Logging Gender
Declan’s Transgressions
Gemma’s Reiterations
Part Three. Circulations and Orchestrations of Minors
Conclusion
Conclusion
Notes
References
Index
Acknowledgements
Preface
Introduction
Chapter One. Candid Dancing
Introduction
Part One. Defining Candid Dancing
Choreography of Abandon
Aesthetics and Semiotics of the Candid Dancing Body
Part Two. Catching Candor, Imaging Abandon
Catching Intersectional Masculinity
Laboring Domesticity
Part Three. Circulating Candor
Conclusion
Chapter Two. Moving Selfies
Introduction
Part One. Defining the Moving Selfie
Anatomy of the Selfie
Autochoreography
Part Two. Choreographing the Moving Selfie
Mar’s Exposure
Donté Bufferings
Part Three. Circulating the Moving Selfie
The Feed
The Personal Profile
The Hashtag and the Mention
Conclusion
Chapter Three. Nonchalant Gestures
Introduction
Part One. Defining Nonchalant Gestures
Genealogy of Nonchalant Gestures
The Aesthetics and Semiotics of Nonchalant Gestures
The Choreography of Oblivion
Part Two. Screening Nonchalant Gestures
Whose Celebrity? Danko’s Celebrity
Living with Liv
Part Three. Circulating Nonchalant Gestures
Forgetting to Remember
The Marginalities of Marginality
The Other Side of Rogue
Conclusion
Chapter Four. Home Concerts
Introduction
Part One. Defining Home Concerts
Genealogy of Home Concerts
Minor Choreography
Aesthetics and Semiotics of Home Concerts
Part Two. Choreographing Childhood, Logging Gender
Declan’s Transgressions
Gemma’s Reiterations
Part Three. Circulations and Orchestrations of Minors
Conclusion
Conclusion
Notes
References
Index
Descriere
How social media transforming authenticity into a choreographed and commodified image