Herons: Modern Plays
Autor Simon Stephensen Limba Engleză Paperback – 17 mai 2001
Set around Limehouse Cut and the Lee River in East London, Herons is the disturbing and moving story of fourteen-year-old Billy, whose life has been made a misery by his father's actions. As the teenagers that surround him on the estate step up their campaign of bullying, the play escalates to a violent climax.
Commissioned by the Royal Court, Herons premiered there on 18 May 2001.
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14.37€ • 16.78$ • 12.48£
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Specificații
ISBN-13: 9780413763709
ISBN-10: 0413763706
Pagini: 116
Dimensiuni: 129 x 198 x 7 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 0413763706
Pagini: 116
Dimensiuni: 129 x 198 x 7 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Recenzii
Stephens is terrific on the rituals of fear and violence
Simon Stephens' sharp shock of a play . . . Stephens and Joel Horwood (as dramaturg) let the text flow, with staccato scenes sliding into each other as if they're all part of an endless now - time and space funnelled into a single bleak and deserted playground. . . . There are no easy answers, just cycles of hurt. It seems grimly relevant today, as we demonise or dismiss sections of society for self-reassurance.
Stephens suggests that there are social factors explaining acts of grotesque cruelty and that the human spirit can never be entirely quashed. . . . It's an unremittingly powerful play
a bracing vision of adolescent cruelty
It's in-yer-face theatre at its grimy best
Simon Stephens' sharp shock of a play . . . Stephens and Joel Horwood (as dramaturg) let the text flow, with staccato scenes sliding into each other as if they're all part of an endless now - time and space funnelled into a single bleak and deserted playground. . . . There are no easy answers, just cycles of hurt. It seems grimly relevant today, as we demonise or dismiss sections of society for self-reassurance.
Stephens suggests that there are social factors explaining acts of grotesque cruelty and that the human spirit can never be entirely quashed. . . . It's an unremittingly powerful play
a bracing vision of adolescent cruelty
It's in-yer-face theatre at its grimy best