Harmony and Voice Leading: A Concise Sixth Edition
Autor Allen Cadwallader, Frank Samarottoen Limba Engleză Hardback – 3 aug 2026
In this Sixth Edition:
- A revised, streamlined structure offers a more concise edition of this classic text which can work flexibly in courses of all lengths
- Additional readings on fundamentals and advanced topics are now provided online resources, keeping the full breadth of the book’s coverage available
- The accompanying workbook, provided as an online resource, creates a complete course package, available at no additional cost
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Specificații
ISBN-13: 9781032944043
ISBN-10: 1032944048
Pagini: 450
Ilustrații: 804
Dimensiuni: 210 x 280 mm
Ediția:6
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032944048
Pagini: 450
Ilustrații: 804
Dimensiuni: 210 x 280 mm
Ediția:6
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Undergraduate CoreCuprins
Part I: I-V-I AND ITS ELABORATIONS
Unit 1. Harmony and Counterpoint
Unit 2. I, V, and V7 9
Unit 3. I6, V6, viio6
Unit 4. Inversions of V7
Unit 5. Leading to V: The Intermediate Chords
Unit 6. The Cadential 6/4
Part II: FURTHER ELABORATIONS OF THE I-V-I STRUCTURE
Unit 7. vi, IV and IV6
Unit 8. V as a Key Area
Unit 9. III and VII
Unit 10. Embellishing 6/4 Chords
Part III: DIATONIC SEQUENTIAL TECHNIQUES
Unit 11. Diatonic Sequences with Triads
Unit 12. Diatonic Sequences with Seventh Chords
PART IV: LEADING-TONE CHROMATICISM, MIXTURE, AND MODULATION
Unit 13. Leading-Tone Seventh Chords
Unit 14. Mixture
Unit 15. Applied V and VII
Unit 16. Applied Chords in Sequence
Unit 17. Diatonic Modulation
Unit 18. The Phrygian II (Neapolitan)
Unit 19. Augmented Sixth Chords
Unit 20. Chromatic Chords and Chromatic Modulatory Techniques
Unit 1. Harmony and Counterpoint
Unit 2. I, V, and V7 9
Unit 3. I6, V6, viio6
Unit 4. Inversions of V7
Unit 5. Leading to V: The Intermediate Chords
Unit 6. The Cadential 6/4
Part II: FURTHER ELABORATIONS OF THE I-V-I STRUCTURE
Unit 7. vi, IV and IV6
Unit 8. V as a Key Area
Unit 9. III and VII
Unit 10. Embellishing 6/4 Chords
Part III: DIATONIC SEQUENTIAL TECHNIQUES
Unit 11. Diatonic Sequences with Triads
Unit 12. Diatonic Sequences with Seventh Chords
PART IV: LEADING-TONE CHROMATICISM, MIXTURE, AND MODULATION
Unit 13. Leading-Tone Seventh Chords
Unit 14. Mixture
Unit 15. Applied V and VII
Unit 16. Applied Chords in Sequence
Unit 17. Diatonic Modulation
Unit 18. The Phrygian II (Neapolitan)
Unit 19. Augmented Sixth Chords
Unit 20. Chromatic Chords and Chromatic Modulatory Techniques
Notă biografică
Edward Aldwell (1938-2006) was an American pianist, music theorist, and pedagogue. An expert in Schenkerian analysis, he taught music theory and analysis for more than three decades at the Curtis Institute of Music in Philadelphia and the Mannes College of Music in New York.
Carl Schachter taught music theory and analysis at Mannes College of Music for over fifty years, serving as Chair of the Techniques of Music Division and Dean of the College. In 1996, he retired as Distinguished Professor of Music at Queens College and the CUNY Graduate School, where he had taught since 1971. Following his retirement from Queens College, he joined the faculty of the Juilliard School.
Allen Cadwallader is Professor Emeritus of Music Theory at the Oberlin Conservatory of Music, where he taught counterpoint, tonal harmony, and Schenkerian analysis. He is the coauthor of Analysis of Tonal Music: A Schenkerian Approach.
Frank Samarotto is Professor of Music Theory at Indiana University Bloomington. He was a workshop leader at the Mannes Institute for Advanced Studies in Music Theory, an invited presenter at the first conferences in Germany devoted to Schenkerian theory, has lectured on voice-leading and musical time at the Sibelius Academy in Helsinki.. He contributed to the fourth edition of Analysis of Tonal Music: A Schenkerian Approach by Allen Cadwallader and David Gagné.
Carl Schachter taught music theory and analysis at Mannes College of Music for over fifty years, serving as Chair of the Techniques of Music Division and Dean of the College. In 1996, he retired as Distinguished Professor of Music at Queens College and the CUNY Graduate School, where he had taught since 1971. Following his retirement from Queens College, he joined the faculty of the Juilliard School.
Allen Cadwallader is Professor Emeritus of Music Theory at the Oberlin Conservatory of Music, where he taught counterpoint, tonal harmony, and Schenkerian analysis. He is the coauthor of Analysis of Tonal Music: A Schenkerian Approach.
Frank Samarotto is Professor of Music Theory at Indiana University Bloomington. He was a workshop leader at the Mannes Institute for Advanced Studies in Music Theory, an invited presenter at the first conferences in Germany devoted to Schenkerian theory, has lectured on voice-leading and musical time at the Sibelius Academy in Helsinki.. He contributed to the fourth edition of Analysis of Tonal Music: A Schenkerian Approach by Allen Cadwallader and David Gagné.
Descriere
A clear and accessible volume spanning the entire theory course, Harmony and Voice Leading, 6th Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism.