Hannah Claus
Editat de Emma Hassencahl-Perley, Léuli Eshraghi?en Limba Engleză Paperback – 6 iul 2027
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Notă biografică
EMMA HASSENCAHL-PERLEY is a Wolastoqey (Wolastoqewiyik) visual artist, curator, and arts writer from Neqotkuk (Tobique First Nation), New Brunswick. She is the Curator of Indigenous Art at the Beaverbrook Art Gallery in Fredericton. Nicole Burisch is a curator/critic based in Tiohtià ke/Mooniyaang (Montré al). Her work focuses on discourses of craft, feminism, performance, collaboration, labour, and materiality within contemporary art. She has written extensively on contemporary art, craft, and performance art, with over 40 published texts in catalogues, magazines, and journals. Lé ULI ESHRAGHI (Tagata Samoa) is an artist, writer, and the Curator of Indigenous Practices at the Montreal Museum of Fine Arts. Jolene Rickard is an Associate Professor at Cornell University in the departments of History of Art and Art, and the former Director of the American Indian and Indigenous Studies Program 2008-2020 (AIISP). She is a visual historian, artist, and curator interested in the intersection of Indigenous art, cultural theory, and the forces of settler colonialism. Her research centres on the expression of multiple sovereignties within Indigenous art and culture globally. Peter Morin is a Tahltan Nation artist and curator. Throughout his artistic practice, Morin investigates the impact zones that occur when Indigenous practices collide with Western-settler colonialism. Morin's artworks are shaped, and reshaped, by Tahltan epistemological production and often takes the form of performance interventions. Morin has curated exhibitions for the Museum of Anthropology, Western Front, Bill Reid Gallery, and Burnaby Art Gallery and currently holds a tenured appointment in the Faculty of Arts at the Ontario College of Art and Design University in Toronto. Hannah Claus is one of the leading contemporary Indigenous artists working in Canada today. A Kanien'kehá ka (Mohawk) artist and member of the Tyendinaga Mohawks of the Bay of Quinte (Kenhtè ke), she combines her Indigenous heritage with her English ancestry to create installations, sculpture, video, drawing, and public art that explore relationships between people, land, memory, language, and knowledge systems. She has lived and worked primarily in Tiohtià ke (Montreal) since 2001 and is also a professor in the Department of Studio Arts at Concordia University.