Gothic Horror: A Guide for Students and Readers
Autor Clive Bloomen Limba Engleză Paperback – 11 mai 2007
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Specificații
ISBN-13: 9780230001787
ISBN-10: 0230001785
Pagini: 272
Ilustrații: black & white illustrations
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.39 kg
Ediția:Revizuită
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
ISBN-10: 0230001785
Pagini: 272
Ilustrații: black & white illustrations
Dimensiuni: 155 x 235 x 18 mm
Greutate: 0.39 kg
Ediția:Revizuită
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements
Chronology of Significant Landmarks in Horror and Gothic Fiction
Preface to the Second EditionIntroduction
PART 1: GOTHIC WHISPERS
Extract from Of the Sublime; E.Burke
The Castle of Otranto, Preface to 1764 edition; H.Walpole
The Castle of Otranto, Preface to second edition; H.Walpole
Advertisement to The Monk; M.Lewis
Extract from On 'The Monk'; S.T.Coleridge
Extract from The Italian; A.Radcliffe
Extract from Discourse 1: 'Gothick'; J.Reynolds
Frankenstein, Preface to 1817 edition; M.Shelley
Frankenstein, Preface to 1831 edition; M.Shelley
Remarks on Frankenstein: or the Modern Prometheus; W.Scott
Extract from Northanger Abbey; J.Austen
Extract from Nightmare Abbey; T.L.Peacock
Melmoth, the Wanderer, Preface to 1820 edition; C.Maturin
On the Supernatural in Poetry; A.Radcliffe
PART 2: HORROR THE SOUL OF THE PLOT
Extract from The Man of the Crowd; E.A.Poe
Extract from The Imp of the Perverse; E.A.Poe
The Philosophy of Composition; E.A.Poe
Extract from Eureka; E.A.Poe
Extract from Marginalia; E.A.Poe
Preface to The House of the Seven Gables; N.Hawthorne
Extract from The Renaissance; W.Pater
Extract from Nightmare Touch; L.Hearn
An Autobiographical Postscript; E.Wharton
PART 3: IN THE DARKExtract from The Uncanny; S.Freud
On Algernon Blackwood; H.Belloc
Preface to The Collected Ghost Stories; M.R.James
Extract from The Supernatural in Literature; H.P.Lovecraft
Extract from The Vampire in Literature; M.Summers
I like Playing Dracula; B.Lugosi
Author's Note from The Devil Rides Out; D.Wheatley
Gothic Hangover; E.S.Turner
PART 4: FEARMAKERS
On Horror Writers; R.Bloch
Dracula, Frankenstine, Sons and Co.; K.Amis
Symposium on H P Lovecraft; Los Angeles Science Fiction Society
Extract from Interview for Playboy; S.King
Extract from An Evening at Billericay Public Library; S.King
On Stephen King; W.Strieber
On Horror and Subversion; C.Barker
PART 5: CONTEMPORARY SHIVERS
Terrorism and the Gothic; D.Punter
Extract from The Fantastic; T.Todorov
Monster Culture (Seven Theses); J.J.Cohen
Extract from Freakery; R.G.Thomson
The Body of Frankenstein's Monster; C.Helman
Narrative Structure, Liminality, Self Similarity: The Case of Gothic Fiction; M.Aguirre
Horror Narratives; L.Talairach-Vielmas
African American and Afro Caribbean Women's Horror as Contemporary Cultural Critique; G.Wisker
All Dark Inside: Zombies and Detectives; C.Bloom
Epilogue: Further Thoughts on the Gothic
Further Reading
Index
Chronology of Significant Landmarks in Horror and Gothic Fiction
Preface to the Second EditionIntroduction
PART 1: GOTHIC WHISPERS
Extract from Of the Sublime; E.Burke
The Castle of Otranto, Preface to 1764 edition; H.Walpole
The Castle of Otranto, Preface to second edition; H.Walpole
Advertisement to The Monk; M.Lewis
Extract from On 'The Monk'; S.T.Coleridge
Extract from The Italian; A.Radcliffe
Extract from Discourse 1: 'Gothick'; J.Reynolds
Frankenstein, Preface to 1817 edition; M.Shelley
Frankenstein, Preface to 1831 edition; M.Shelley
Remarks on Frankenstein: or the Modern Prometheus; W.Scott
Extract from Northanger Abbey; J.Austen
Extract from Nightmare Abbey; T.L.Peacock
Melmoth, the Wanderer, Preface to 1820 edition; C.Maturin
On the Supernatural in Poetry; A.Radcliffe
PART 2: HORROR THE SOUL OF THE PLOT
Extract from The Man of the Crowd; E.A.Poe
Extract from The Imp of the Perverse; E.A.Poe
The Philosophy of Composition; E.A.Poe
Extract from Eureka; E.A.Poe
Extract from Marginalia; E.A.Poe
Preface to The House of the Seven Gables; N.Hawthorne
Extract from The Renaissance; W.Pater
Extract from Nightmare Touch; L.Hearn
An Autobiographical Postscript; E.Wharton
PART 3: IN THE DARKExtract from The Uncanny; S.Freud
On Algernon Blackwood; H.Belloc
Preface to The Collected Ghost Stories; M.R.James
Extract from The Supernatural in Literature; H.P.Lovecraft
Extract from The Vampire in Literature; M.Summers
I like Playing Dracula; B.Lugosi
Author's Note from The Devil Rides Out; D.Wheatley
Gothic Hangover; E.S.Turner
PART 4: FEARMAKERS
On Horror Writers; R.Bloch
Dracula, Frankenstine, Sons and Co.; K.Amis
Symposium on H P Lovecraft; Los Angeles Science Fiction Society
Extract from Interview for Playboy; S.King
Extract from An Evening at Billericay Public Library; S.King
On Stephen King; W.Strieber
On Horror and Subversion; C.Barker
PART 5: CONTEMPORARY SHIVERS
Terrorism and the Gothic; D.Punter
Extract from The Fantastic; T.Todorov
Monster Culture (Seven Theses); J.J.Cohen
Extract from Freakery; R.G.Thomson
The Body of Frankenstein's Monster; C.Helman
Narrative Structure, Liminality, Self Similarity: The Case of Gothic Fiction; M.Aguirre
Horror Narratives; L.Talairach-Vielmas
African American and Afro Caribbean Women's Horror as Contemporary Cultural Critique; G.Wisker
All Dark Inside: Zombies and Detectives; C.Bloom
Epilogue: Further Thoughts on the Gothic
Further Reading
Index