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Gilles Deleuze S Time Machine de D. N. Rodowick

Gilles Deleuze S Time Machine: Post-Contemporary Interventions

Autor D. N. Rodowick, D. N. Rodowick, Rodowick
en Limba Engleză Paperback – 30 iun 1997
Gilles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his philosophy of difference.
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Specificații

ISBN-13: 9780822319702
ISBN-10: 0822319705
Pagini: 280
Dimensiuni: 150 x 235 x 21 mm
Greutate: 5.15 kg
Ediția:New.
Editura: Duke University Press
Seria Post-Contemporary Interventions

Locul publicării:United States

Notă biografică

D. N. Rodowick is Professor of English and Visual/Cultural Studies at the University of Rochester.""

Recenzii

"Anglo-American critics have not yet begun to plumb the riches of Deleuze's investigation into cinema, and David Rodowick, well versed in philosophy and cinema studies, is the perfect person to bring these important works into focus for the American critical establishment. This book will become a standard work for anyone who wants to learn about Deleuze on cinema and about Deleuze more generally." - Dana Polan, University of Pittsburgh "Deleuze is now coming to be seen in the anglophone world for what the French have long known him to be - someone who is perhaps the most productive and important philosophical thinker of this century. And Rodowick has a flair for making genuinely illuminating connections between Deleuze's cinema books and his other works." - Kenneth Surin, Duke University "... an extremely cogent and helpful book, treating Deleuze's movie volumes "as a logical development through cinema of Deleuze's more general concerns". Michael Wood, London Review of Books

Textul de pe ultima copertă

"Anglo-American critics have not yet begun to plumb the riches of Deleuze's investigation into cinema, and David Rodowick, well versed in philosophy and cinema studies, is the perfect person to bring these important works into focus for the American critical establishment. This book will become a standard work for anyone who wants to learn about Deleuze on cinema and about Deleuze more generally."--Dana Polan, University of Pittsburgh