Getting Great Sounds: The Microphone Book
Autor Tom Lubinen Limba Engleză Paperback – 15 sep 2022
This third edition includes a review of key practices at the end of chapters and a new section that provides an overview of microphone manufacturers you may not have heard of. There are now over one hundred and fifty companies making microphones for studio applications of one form or another, and most are small companies owned by people who are passionate about good sound. These companies feature high quality microphones, and many use classic designs with more affordable prices.
How to choose and use microphones was once a skill passed down from senior sound engineers to their assistants as they would listen and learn by observation. Today, few large studios have assistant engineers, and an overwhelming number of studios are operated by their owners who are often self-taught and lack the benefit of the big-studio tutelage. This book is your guide to understanding the ins and outs of microphones and music studio production.
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Specificații
ISBN-13: 9781538173015
ISBN-10: 1538173018
Pagini: 336
Ilustrații: 50 b/w illustrations; 50 b/w photos
Dimensiuni: 186 x 234 x 20 mm
Greutate: 0.62 kg
Ediția:Third Edition
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield
Locul publicării:New York, United States
ISBN-10: 1538173018
Pagini: 336
Ilustrații: 50 b/w illustrations; 50 b/w photos
Dimensiuni: 186 x 234 x 20 mm
Greutate: 0.62 kg
Ediția:Third Edition
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield
Locul publicării:New York, United States
Cuprins
Chapter 1: The Development of the Microphone
Chapter 2: Microphone Types, Patterns, and Uses
Chapter 3: Understanding Sound and Hearing
Chapter 4: Polarity, Phase Cancellation, and Reverb
Chapter 5: Impedance and Balance
Chapter 6: Hum 101, DIs, and Related Transducers
Chapter 7: Accessories and Necessary Hardware
Chapter 8: Stereo Microphone Techniques
Chapter 9: The Recording Session
Chapter 10: Miking Drums
Chapter 11: Miking the Guitar and a Bit on Bass
Chapter 12: Miking Piano
Chapter 13: Miking Solo Acoustic Instruments and Vocals
Chapter 14: Miking Classical Acoustic Sections
Appendix A: Compressors and Limiters: A Brief Overview
Appendix B: An EQ Primer
Appendix C: Microphones You May Not Have Heard Of
Chapter 2: Microphone Types, Patterns, and Uses
Chapter 3: Understanding Sound and Hearing
Chapter 4: Polarity, Phase Cancellation, and Reverb
Chapter 5: Impedance and Balance
Chapter 6: Hum 101, DIs, and Related Transducers
Chapter 7: Accessories and Necessary Hardware
Chapter 8: Stereo Microphone Techniques
Chapter 9: The Recording Session
Chapter 10: Miking Drums
Chapter 11: Miking the Guitar and a Bit on Bass
Chapter 12: Miking Piano
Chapter 13: Miking Solo Acoustic Instruments and Vocals
Chapter 14: Miking Classical Acoustic Sections
Appendix A: Compressors and Limiters: A Brief Overview
Appendix B: An EQ Primer
Appendix C: Microphones You May Not Have Heard Of