Gestuary: The Africa List
Autor Sylvie Kandé Traducere de Nancy Naomi Carlsonen Limba Engleză Paperback – 13 feb 2026
Sylvie Kandé’s Gestuary offers a collection of gestures—of death and life, of tenderness and brutality—that fractures the flow of time. Senegalese riflemen from World War I are juxtaposed with migrants at borders who sew their lips shut in protest over immigration policies. In dream-like sequences, the dead refuse to stay underground and “push against the fence / that swings between our realm and theirs.” Inspired by unexpected sources, including jazz, sculpture, the legacy of the slave trade, proverbs, and elements of Diola culture, Kandé’s poems are rich in musicality and sophisticated syntax, rendered into a lyrical and luminous English by Nancy Naomi Carlson.
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Specificații
ISBN-13: 9781803096087
ISBN-10: 180309608X
Pagini: 112
Dimensiuni: 159 x 235 x 10 mm
Greutate: 0.17 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Africa List
ISBN-10: 180309608X
Pagini: 112
Dimensiuni: 159 x 235 x 10 mm
Greutate: 0.17 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Africa List
Notă biografică
Born in Paris to a French mother and a Senegalese father, Sylvie Kandé is the author of three acclaimed poetry collections. Nancy Naomi Carlson is a poet and translator whose translation of Khal Torabully’s Cargo Hold of Stars: Coolitude won the Oxford-Weidenfeld Translation Prize.
Cuprins
Translator’s Foreword
Of Air and Water
1.Call of Air
2.Gull/Mute
3.Deposits & Withdrawals
4.Sugarcane
5.Waltz of Stone
6.September’s Bird
7.Survival According to Alice
8.Genocide
9.Genealogy
10.On the Whole…
11.Visitation
12.Scraps of a Portrait
13.News by Hand
Striking Hard
1.The Hot Iron Strikes
2.The Final Stroke
3.Awe-Struck
4.Striking a Pose
Digging
1.Rite of Passage
2.Vahine
3.Prayer
4.Departed Night Butterfly of Mine
5.[Grave]s[tone] for Noguchi
The Warring Dead
1.Mobilized
2.The Warring Dead I
3.The Warring Dead II
Better Left Unsaid
1.Winnowing
2.The Egg and the Stone
3.On the “Nine Slaves” Altarpiece
4.Better Left Unsaid
5.Pharaoh Queen
6.Roaming Soul
What Speaking Intends to Say
1.Colophon I
2.Colophon II
Coda
Of Air and Water
1.Call of Air
2.Gull/Mute
3.Deposits & Withdrawals
4.Sugarcane
5.Waltz of Stone
6.September’s Bird
7.Survival According to Alice
8.Genocide
9.Genealogy
10.On the Whole…
11.Visitation
12.Scraps of a Portrait
13.News by Hand
Striking Hard
1.The Hot Iron Strikes
2.The Final Stroke
3.Awe-Struck
4.Striking a Pose
Digging
1.Rite of Passage
2.Vahine
3.Prayer
4.Departed Night Butterfly of Mine
5.[Grave]s[tone] for Noguchi
The Warring Dead
1.Mobilized
2.The Warring Dead I
3.The Warring Dead II
Better Left Unsaid
1.Winnowing
2.The Egg and the Stone
3.On the “Nine Slaves” Altarpiece
4.Better Left Unsaid
5.Pharaoh Queen
6.Roaming Soul
What Speaking Intends to Say
1.Colophon I
2.Colophon II
Coda
Recenzii
“Silent, sacred, roaming.”
“The balancing lines of these poems are sinuous in their beckoning to places where you can swear under the ‘glabrous moon . . .you’d hear the sugarcane grow’ and are inhabited by a rich tapestry, drawing us deeply into Kandé’s histories and, ultimately, the human connectivity of love and loss we all share.”
“In these poems, violence is overt or hidden but ever present. Kandé is showing us that gestures carry undercurrents of meaning. Whether recalling a ceremony for the passing of loved ones or the remembrance Waof childhood, her poems call attention to body language and how we speak to one another without words even when all we have ‘left are crumbs/like the ones after a meal/you swipe away with a sponge’. . . . [Gestuary] breathes life into gestures overlooked by the unaffected and elevates them into the spiritual.”
“The balancing lines of these poems are sinuous in their beckoning to places where you can swear under the ‘glabrous moon . . .you’d hear the sugarcane grow’ and are inhabited by a rich tapestry, drawing us deeply into Kandé’s histories and, ultimately, the human connectivity of love and loss we all share.”
“In these poems, violence is overt or hidden but ever present. Kandé is showing us that gestures carry undercurrents of meaning. Whether recalling a ceremony for the passing of loved ones or the remembrance Waof childhood, her poems call attention to body language and how we speak to one another without words even when all we have ‘left are crumbs/like the ones after a meal/you swipe away with a sponge’. . . . [Gestuary] breathes life into gestures overlooked by the unaffected and elevates them into the spiritual.”