Conceived in loosely cyclical form, this 1994 project harks back to the author's 'supernotational' works, which date from the mid-80s, comprising essayistic aphorisms and aphoristic notes, in respect of the greater variety of length and treatment between the contents, some of which are arguably aphoristic, others essayistic, but all of which thematically follow from John O'Loughlin's previous philosophical titles, including the four volumes of maxims beginning with 'Maximum Truth' (1993), in a no-less comprehensively methodical vein.