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Forensic Music Therapy: A Treatment for Men and Women in Secure Hospital Settings de Victoria Sleight

Forensic Music Therapy: A Treatment for Men and Women in Secure Hospital Settings

Contribuţii de Victoria Sleight, Philip Hughes Editat de John Adlam Contribuţii de Petra Hervey, Phyllis Annesley Editat de Helen Odell-Miller Contribuţii de Lindsay Jones, Sarah Hill, Ian Merrick, Irene Cormac, Alex Maguire, Lyndsay Jones Editat de Stella Compton-Dickinson Contribuţii de Rebecca Roberts Cuvânt înainte de Estela Welldon Contribuţii de Manjit Gahir, Rebecca Lawday
en Limba Engleză Paperback – 15 oct 2012

Observăm o maturizare a domeniului terapiilor creative prin apariția volumului Forensic Music Therapy, o lucrare riguroasă care reunește expertiza unui colectiv impresionant de clinicieni și cercetători. Sub coordonarea editorilor Stella Compton-Dickinson, Helen Odell-Miller și John Adlam, volumul beneficiază de experiența practică a specialiștilor din centre de renume, precum Serviciul Național de Înaltă Securitate din cadrul Spitalului Rampton. Suntem de părere că această ediție reprezintă un reper esențial pentru înțelegerea modului în care intervențiile non-verbale pot fi integrate în protocoalele stricte de securitate.

Pe linia clinică a lucrării The Clinician's Guide to Forensic Music Therapy, dar cu un accent pronunțat pe dinamica instituțională și diversitatea abordărilor teoretice, volumul de față depășește simpla descriere a tehnicilor de lucru. Structura este organizată progresiv, începând cu analiza mediului instituțional și a tensiunii dintre control și îngrijire, continuând cu prezentarea Terapiei prin Muzică Cognitiv-Analitice — prima metodă manualizată pentru reabilitarea persoanelor care au comis infracțiuni. Credem că includerea studiilor de caz ce vizează atât adulții, cât și adolescenții cu tulburări de personalitate oferă o perspectivă pragmatică asupra gestionării situațiilor clinice dificile.

Textul este susținut de tabele și figuri alb-negru care clarifică aplicarea teoriilor psihanalitice și cognitive în mediul securizat. Această abordare multidisciplinară transformă muzicoterapia dintr-o activitate complementară într-o componentă vitală a tratamentului forensic, oferind instrumente de evaluare a riscului și de facilitare a recuperării într-un context unde comunicarea verbală este adesea blocată sau limitată.

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Specificații

ISBN-13: 9781849052528
ISBN-10: 1849052522
Pagini: 256
Ilustrații: black & white tables, figures
Dimensiuni: 230 x 312 x 194 mm
Greutate: 0.37 kg
Editura: JESSICA KINGSLEY PUBLISHERS
Colecția Jessica Kingsley Publishers
Locul publicării:London, United Kingdom

De ce să citești această carte

Această carte este indispensabilă psihoterapeuților, psihiatrilor și muzicoterapeuților care activează în sistemul de justiție sau spitale de psihiatrie judiciară. Cititorul câștigă acces la metodologii testate pentru pacienți complecși, inclusiv infractori violenți, beneficiind de un fundament teoretic solid ce îmbină muzicologia cu psihoterapia cognitiv-analitică pentru a sprijini procesul de reabilitare și siguranța clinică.

Despre autor

Coordonatorii volumului sunt figuri proeminente în domeniul sănătății mintale din Marea Britanie. Stella Compton-Dickinson este cercetător principal în domeniul terapiilor prin artă în cadrul Nottinghamshire Healthcare NHS Trust și un pionier al terapiei cognitiv-analitice prin muzică. Prof. Helen Odell-Miller este profesor de muzicoterapie la Anglia Ruskin University, având o contribuție vastă în cercetarea clinică, în timp ce John Adlam este psihoterapeut forensic consultant în cadrul South London and Maudsley NHS Foundation Trust. Împreună, aceștia sintetizează decenii de practică în medii de înaltă securitate, oferind o perspectivă academică și clinică de neegalat.

Descriere

Forensic Music Therapy demonstrates diverse and innovative approaches, which include live, improvised and pre-composed music, from music therapy teams working in secure treatment settings. The book covers clinical development, research, supervision and discussion of institutional and multi-disciplinary team dynamics. It will inform professionals about different ways to manage challenging situations in order to deliver music therapy with adults and adolescents who have committed offences, men and women with personality disorders and mental health problems, as well as men who have killed. The book also describes the development of Cognitive Analytic Music Therapy: the first manualised form of music therapy to be used in the rehabilitation of offenders. Chapters include case studies and service developments informed by theories from an established range of psychological therapies including psychoanalysis, cognitive analytic therapy, musicology and forensic psychotherapy. The significant variations and considerations when working in low, medium and high secure treatment settings are also clarified.

This book will give music therapists, forensic and clinical psychotherapists and psychologists, cognitive analytic therapists, psychiatrists, and others working in the field a wider understanding of choices, as well as demonstrating the effectiveness of tailored music therapy programmes for this complex client group.

Recenzii

The book presents rich material about the variety of aspects that a music therapist meets in secure hospital settings with patients with mental illness, presenting the very complexity of this work. I strongly recommend this book to music therapists working in the field because I believe reading the book will support music therapists in their work and especially support how to communicate the special contributions of music therapy in secured psychiatric hospital settings.
This book is a real achievement - the descriptions of the work are scarily powerful and the theoretical arguments are clear - it triumphs over many obstacles - I hope it gets the recognition it deserves.
A beautifully orchestrated book which is a stimulating read for anyone working in forensic mental health.The book exemplifies a forensic approach in its consideration of the institutional setting, the importance of music therapy's clinical contribution and breaks new ground in its research section.

This wide ranging book brings music therapy to life from the perspective of patients, therapists, supervisors, managers and multidisciplinary team members. Its vibrant and informative clinical material really allows the reader to understand the unique contribution music therapy makes to the treatment challenges with which forensic patients present us.

Forensic Music Therapy is the first book of its kind, illuminating the clinical effectiveness of music therapy with this immensely challenging population. In addition to making a major contribution to music therapy and research, it will also be a valuable resource to related disciplines working in this area.
Music therapy has at times been neglected and ignored in our work with forensic patients in secure hospital settings. This, fortunately, is no longer so, thanks to the wisdom, creativity, courage and determination of our colleagues which is represented so clearly and movingly in the diverse work described in this volume. I strongly recommend immersion in these rich and vivid clinical vignettes which will help add another important dimension, not only to the clinical work but also in the ability to think in creative ways when feeling stuck in this important and difficult work. Whether or not you are musically oriented, reading this book carefully will both enlighten and enchant you.
It has clear statement of purpose, setting out to present and examine the contexts and challenges relevant to a range of forensic practices, including high, medium and low secure hospitals... It is both informative and thought-provoking... It is a fantastic resource for all music therapists, as well as students and clinicians from related disciplines... This is also valuable to all therapist... This book is about the nature of music therapy as much as it is about forensic practice.

Cuprins

Foreword by Dr Estela Welldon, Founder and Honorary Elected President for Life, International Association for Forensic Psychotherapy. Introduction. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services, Prof Helen Odell-Miller, Professor of Music Therapy, Anglia Ruskin University, Cambridge and John Adlam, Consultant Adult Forensic Psychotherapist, S London and Maudsley Foundation NHS Trust. List of Contributors. Part I. The Institutional Setting. 1. Care and Control: Delivering Forensic Psychological Therapies in the High Secure Hospital Setting. Dr Phyllis Annesley, Consultant Clinical Psychologist, National High Secure Healthcare Service for Women, Rampton Hospital, Nottinghamshire Healthcare NHS Trust and Dr Lindsay Jones, Consultant Clinical Psychologist and Cognitive Analytic Therapy Practitioner, NHS North Yorkshire and York. 2. Inside and Outside the Walls: Music Therapy Supervision in a Forensic Setting. Prof Helen Odell-Miller, Professor of Music Therapy, Anglia Ruskin University, Cambridge. 3. Music Therapy with Long-stay In-patients: Communication Issues and Collaboration with the Clinical Team. Philip Hughes, Music Therapist, NHS, Hertfordshire and Irene Cormac, Consultant Forensic Psychiatrist, Rampton Hospital, Nottinghamshire Healthcare NHS Trust. 4. Buffering and Containing Attacks Upon the Work in a Medium Secure Service. Sarah Hill, Head of Arts Therapies and Vocational Services Manager at North London Forensic Service, Barnet, Enfield and Haringey Mental Health Trust. Part II. Clinical – Music Therapy from Adolescent to Adult Offenders. 5. A Case of Work, Rest and Play: Music Therapy in Early Onset Psychosis. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. 6. Walking the Line: Music Therapy in the Context of the Recovery Approach in a High Secure Hospital. Alex Maguire, Senior Music Therapist, Broadmoor Hospital, Berkshire and Ian Merrick, Clinical Specialist Occupational Therapist, Broadmoor Hospital, Berkshire. 7. Working with Conflict: A Summary of Developments in the Long-term Treatment of a Man Suffering with Paranoid Schizophrenia who Committed Manslaughter. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services and Dr Manjit Gahir, Consultant Forensic Psychiatrist and Lead Consultant, National High Secure Deaf Service, Rampton Hospital, Nottinghamshire Healthcare NHS Trust. 8. Music, Mourning and the Matrix: Death and Loss within a Forensic Music Therapy Group. Rebecca Roberts, Music Therapist, Rampton Hospital, Nottinghamshire Healthcare NHS Trust. 9. 'The Lost Boy': An Exploration of Dissociation using Cognitive Analytic Music Therapy. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. Part III. Research. 10. Risks, Ruptures and the Role of the Co-therapist in Group Cognitive Analytic Music Therapy (G-CAMT): A Pilot Group at a High Secure Hospital. Victoria Sleight, Music Therapist, Rampton Hospital, Nottinghamshire Healthcare NHS Trust and Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. 11. Integrating Models for Integrated Care Pathways: Introducing Group Cognitive Analytic Music Therapy (G-CAMT) to a Women's Enhanced Medium-secure Setting (WEMSS). Rebecca Lawday, Chartered Forensic Psychologist, Women's Services at Arnold Lodge, Nottinghamshire Healthcare NHS Trust and Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. 12. Containment or Contamination? Music Therapy, Personality Disorder and the Forensic Mental Health Team. Petra Hervey, Music Therapist and Cognitive Behavioural Therapist, Sheffield Health & Social Care NHS Trust and Helen Odell-Miller, Professor of Music Therapy, Anglia Ruskin University, Cambridge. Appendices. List of Figures. Index.