Film: The Key Concepts: The Key Concepts
Autor Nitzan Ben-Shaulen Limba Engleză Paperback – 2007
Concise and comprehensive, the book guides the reader through realism, formalism, structuralism, semiotics, Marxism, psychoanalysis, feminism, cognitivism, post-colonialism, postmodernism, gender and queer film theory, stardom and film audience research. The book as a whole provides a complete overview of the evolution of film theory.
Throughout, the analysis is illustrated with lively boxed studies of key mainstream and independent films. Bulleted chapter summaries, questions and guides to further reading are also provided.
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Specificații
ISBN-13: 9781845203665
ISBN-10: 1845203666
Pagini: 192
Ilustrații: 10 b&w illus
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Seria The Key Concepts
Locul publicării:London, United Kingdom
ISBN-10: 1845203666
Pagini: 192
Ilustrații: 10 b&w illus
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Seria The Key Concepts
Locul publicării:London, United Kingdom
Cuprins
Introduction
1. From the Photogenic to the Simulacrum
2. Film Constructs
3. Dialectic Film Montage
4. Imaginary Signifiers/Voyeuristic Pleasures
Questions for Discussion
Guide to Further Reading
Notes
Index
1. From the Photogenic to the Simulacrum
2. Film Constructs
3. Dialectic Film Montage
4. Imaginary Signifiers/Voyeuristic Pleasures
Questions for Discussion
Guide to Further Reading
Notes
Index
Recenzii
An admirably clear and rigorous guide to the conceptual frameworks that have informed and influenced developments in film theory and film-making from Jean Epstein to Donna Haraway. Thoughtful and thought-provoking, it is also eminently readable and recommended for anyone interested in the intellectual history of cinema.
There are few introductions to the discipline of film studies that explore the major theories with this book's depth and attention to context... an exciting addition to the increasing body of sources about the sources of film theory.
There are few introductions to the discipline of film studies that explore the major theories with this book's depth and attention to context... an exciting addition to the increasing body of sources about the sources of film theory.