Film 1900
Editat de Klaus Kreimeier, Annemone Ligensaen Limba Engleză Paperback – aug 2009
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Specificații
ISBN-13: 9780861966967
ISBN-10: 0861966961
Pagini: 256
Ilustrații: 50 b&w illustrations
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.38 kg
Editura: Indiana University Press
ISBN-10: 0861966961
Pagini: 256
Ilustrații: 50 b&w illustrations
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.38 kg
Editura: Indiana University Press
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Cuprins
Introduction: Triangulating a Turn: Film 1900 as Technology, Perception and CultureAnnemone Ligensa
1. Archaeologies of Interactivity: Early Cinema, Narrative and SpectatorshipThomas Elsaesser
2. Viewing Change, Changing Views: The 'History of Vision'-DebateFrank Kessler
3. The Ambimodernity of Early Cinema Problems and Paradoxes in the Film-and-Modernity DiscourseBen Singer
4. Mind, the Gap: The Discovery of Physiological TimeHenning Schmidgen
5. 'Is Everything Relative?': Cinema and the Revolution of Knowledge Around 1900Harro Segeberg
6. The Aesthetic Idealist as Efficiency Engineer: Hugo Munsterberg's Theories of Perception, Psychotechnics and CinemaJörg Schweinitz
7. Between Observation and Spectatorship: Medicine, Movies and Mass Culture in Imperial GermanyScott Curtis
8. The Scene of the Crime: Psychiatric Discourse on the Film Audience in Early Twentieth Century GermanyAndreas Killen
9. Seen Through the Eyes of Simmel: The Cinema Programme as a 'Modern' ExperienceAndrea Haller
10. 'Under the Sign of the Cinematograph': Urban Mobility and Cinema Location in Wilhelmine BerlinPelle Snickars
12. Perceptual Environments for Films: The Development of Cinema in Germany, 1895-1914Joseph Garncarz
12. 'Fumbling Towards Some New Form of Art': The Changing Composition of Film Programmes in Britain, 1908-1914Ian Christie and John Sedgwick
13. The Attraction of Motion: Modern Representation and the Image of MovementTom Gunning
14. 'Dashing Down Upon the Audience': Notes on the Genesis of Filmic PerceptionKlaus Kreimeier
15. German Tonbilder of the 1900s: Advanced Technology and National BrandMartin Loiperdinger
16. Sculpting with Light: Early Film Style, Stereoscopic Vision and the Idea of a 'Plastic Art In Motion'Michael Wedel
17. 'A Cinematograph of Feminine Thought': The Dangerous Age, Cinema and Modern WomenAnnemone Ligensa
14. Cinema as a Mode(l) of Perception: Dorothy Richardson's Novels and EssaysNicola Glaubitz
Biographies of the Authors
1. Archaeologies of Interactivity: Early Cinema, Narrative and SpectatorshipThomas Elsaesser
2. Viewing Change, Changing Views: The 'History of Vision'-DebateFrank Kessler
3. The Ambimodernity of Early Cinema Problems and Paradoxes in the Film-and-Modernity DiscourseBen Singer
4. Mind, the Gap: The Discovery of Physiological TimeHenning Schmidgen
5. 'Is Everything Relative?': Cinema and the Revolution of Knowledge Around 1900Harro Segeberg
6. The Aesthetic Idealist as Efficiency Engineer: Hugo Munsterberg's Theories of Perception, Psychotechnics and CinemaJörg Schweinitz
7. Between Observation and Spectatorship: Medicine, Movies and Mass Culture in Imperial GermanyScott Curtis
8. The Scene of the Crime: Psychiatric Discourse on the Film Audience in Early Twentieth Century GermanyAndreas Killen
9. Seen Through the Eyes of Simmel: The Cinema Programme as a 'Modern' ExperienceAndrea Haller
10. 'Under the Sign of the Cinematograph': Urban Mobility and Cinema Location in Wilhelmine BerlinPelle Snickars
12. Perceptual Environments for Films: The Development of Cinema in Germany, 1895-1914Joseph Garncarz
12. 'Fumbling Towards Some New Form of Art': The Changing Composition of Film Programmes in Britain, 1908-1914Ian Christie and John Sedgwick
13. The Attraction of Motion: Modern Representation and the Image of MovementTom Gunning
14. 'Dashing Down Upon the Audience': Notes on the Genesis of Filmic PerceptionKlaus Kreimeier
15. German Tonbilder of the 1900s: Advanced Technology and National BrandMartin Loiperdinger
16. Sculpting with Light: Early Film Style, Stereoscopic Vision and the Idea of a 'Plastic Art In Motion'Michael Wedel
17. 'A Cinematograph of Feminine Thought': The Dangerous Age, Cinema and Modern WomenAnnemone Ligensa
14. Cinema as a Mode(l) of Perception: Dorothy Richardson's Novels and EssaysNicola Glaubitz
Biographies of the Authors
Notă biografică
Klaus Kreimeier is Professor Emeritus of Media Studies at the University of Siegen, Germany.
Annemone Ligensa received her M.A. in Theater, Film, and Television Studies from the University of Cologne, Germany, where she also worked as a lecturer in Media Psychology.
Annemone Ligensa received her M.A. in Theater, Film, and Television Studies from the University of Cologne, Germany, where she also worked as a lecturer in Media Psychology.
Descriere
Analyzes transformations in media culture in the early 20th century