Feathers in the Snow: Modern Plays
Autor Philip Ridleyen Limba Engleză Paperback – 5 dec 2012
Feathers in the Snow, a family show by acclaimed playwright and children's author Philip Ridley, is an epic story of magic and migration. Covering over five hundred years - and with a huge cast - it explores how stories give meaning to random events and of our constant need to find somewhere we call 'home'.
Feathers in the Snow reunites director David Mercatali with playwright Philip Ridley, following their collaboration in 2011 on Tender Napalm which was named one of the Guardian, Observer and Time Out's best shows of 2011.
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Specificații
ISBN-13: 9781472515148
ISBN-10: 1472515145
Pagini: 144
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.15 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472515145
Pagini: 144
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.15 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Recenzii
Notable for its avid sense of fun ... the preoccupations are standard Ridley: stories ... and home, our constant yearning for each and the way we sometimes use the former to build the latter ... if you watch attentively you can spot substantive and complex ideas gliding past ... Ridley is stressing the "fun" in profundity.
Ridley's storytelling combines the fantastical and the down to earth, and leavens the darkness with humour ... like all Ridley's work, it's distinctively different, never patronising its young audience, and it celebrates the power of storytelling to see us through the darkest times.
A further instance of Ridley's preoccupation with the power - for good and ill - of story-telling in our attempts to make sense of experience. What's new here, though, is the spirit of antic knockabout playfulness ... [a] resilience in Ridley's writing that offsets the harshness of the subject matter - its spring recurring rhythms and its larky knowingness about narrative tropes.
The story has an epic structure ... gripping, confronting issues such as the unreliability of historians. Children around me seemed attentive, fascinated, serious
Ridley's storytelling combines the fantastical and the down to earth, and leavens the darkness with humour ... like all Ridley's work, it's distinctively different, never patronising its young audience, and it celebrates the power of storytelling to see us through the darkest times.
A further instance of Ridley's preoccupation with the power - for good and ill - of story-telling in our attempts to make sense of experience. What's new here, though, is the spirit of antic knockabout playfulness ... [a] resilience in Ridley's writing that offsets the harshness of the subject matter - its spring recurring rhythms and its larky knowingness about narrative tropes.
The story has an epic structure ... gripping, confronting issues such as the unreliability of historians. Children around me seemed attentive, fascinated, serious
Notă biografică
Philip Ridley was born and grew up in the East End of London. He studied painting at St Martin's School of Art. He has written many highly regarded and hugely influential stage plays: the seminal The Pitchfork Disney (now published as a Methuen Modern Classic), The Fastest Clock in the Universe (winner of a Time Out Award, the Critics' Circle Award for Most Promising Playwright, and the Meyer-Whitworth Prize), Ghost from a Perfect Place, Vincent River (nominated for the London Festival Fringe Best Play Award), the highly controversial Mercury Fur, Leaves of Glass, Piranha Heights (nominated for the WhatsOnStage Mobius Award for Best Off West End Production), Tender Napalm (nominated for the London Fringe Best Play Award), Shivered (nominated for the OffWestEnd Best New Play Award), Dark Vanilla Jungle (winner of an Edinburgh Festival Fringe First Award), Radiant Vermin (now published as a Methuen Modern Classic), Tonight With Donny Stixx, Karagula (nominated for the OffWestEnd Best New Play Award), The Beast of Blue Yonder, The Poltergeist (winner of the OffWestEnd OnComm Award for Best Live Streamed Play) and Tarantula; plus several plays for young people (collectively known as The Storyteller Sequence): Karamazoo, Fairytaleheart, Moonfleece (named as one of the 50 Best Works About Cultural Diversity by the National Centre for Children's Books), the seminal Sparkleshark (the first of the Connections Festival plays - all written for young people - to be staged professionally by the National Theatre), and Brokenville; also, Feathers in the Snow (shortlisted for the Brian Way Best Play Award).