Faulkner's Subject: A Cosmos No One Owns: Cambridge Studies in American Literature and Culture, cartea 56
Autor Philip M. Weinsteinen Limba Engleză Hardback – 28 mai 1992
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Specificații
ISBN-13: 9780521390477
ISBN-10: 0521390478
Pagini: 204
Dimensiuni: 159 x 238 x 20 mm
Greutate: 0.41 kg
Ediția:New.
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Studies in American Literature and Culture
Locul publicării:Cambridge, United Kingdom
ISBN-10: 0521390478
Pagini: 204
Dimensiuni: 159 x 238 x 20 mm
Greutate: 0.41 kg
Ediția:New.
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Studies in American Literature and Culture
Locul publicării:Cambridge, United Kingdom
Cuprins
Preface; Acknowledgements; List of abbreviations; Map; Introduction; 1. Gender; 2. Race; 3. Subjectivity; 4. Culture: a cosmos no one owns; Conclusion; Bibliography; Index.
Recenzii
"...splendid in the range of questions it raises and the number of illuminating readings it offers....Faulkner's Subject is a work of considerable scholarship....[Weinstein's] study will be indispensable for further ideological analyses." John N. Duvall, Mississippi Quarterly
"Weinstein's readings of all four novels are sensitive, subtle, and at times even impassioned." Susan V. Donaldson, Journal of American History
"Philip Weinstein has written a brilliant, candid, timely book, not just about Faulkner as a writer but also about Faulkner as a changing institution of reading and teaching." Richard C. Moreland, Modern Fiction Stories
"Weinstein's readings of all four novels are sensitive, subtle, and at times even impassioned." Susan V. Donaldson, Journal of American History
"Philip Weinstein has written a brilliant, candid, timely book, not just about Faulkner as a writer but also about Faulkner as a changing institution of reading and teaching." Richard C. Moreland, Modern Fiction Stories
Descriere
Faulkner's Subject: A Cosmos No One Owns offers a reading of William Faulkner by viewing his masterpieces through the lens of current critical theory.