Expanded Cinema: Meaning Systems
Autor Gene Youngblooden Limba Engleză Paperback – 3 mar 2020
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Specificații
ISBN-13: 9780823287413
ISBN-10: 0823287416
Pagini: 464
Ilustrații: 60 color illustrations and 284 b/w illustrations.
Dimensiuni: 137 x 207 x 31 mm
Greutate: 0.52 kg
Editura: Fordham University Press
Seria Meaning Systems
ISBN-10: 0823287416
Pagini: 464
Ilustrații: 60 color illustrations and 284 b/w illustrations.
Dimensiuni: 137 x 207 x 31 mm
Greutate: 0.52 kg
Editura: Fordham University Press
Seria Meaning Systems
Cuprins
List of Illustrations | ix
Introduction to the Fiftieth Anniversary Edition | xiii
Introduction by R. Buckminster Fuller | 15
Inexorable Evolution and Human Ecology by R. Buckminster Fuller | 37
Preface | 41
Part One: The Audience and the Myth of Entertainment | 45
Radical Evolution and Future Shock in the Paleocybernetic Era | 50
The Intermedia Network as Nature | 54
Popular Culture and the Noosphere | 57
Art, Entertainment, Entropy | 59
Retrospective Man and the Human Condition | 66
The Artist as Design Scientist | 70
Part Two: Synaesthetic Cinema: The End of Drama | 75
Global Closed Circuit: The Earth as Software | 78
Synaesthetic Synthesis: Simultaneous Perception of Harmonic Opposites | 81
Syncretism and Metamorphosis: Montage as Collage | 84
Evocation and Exposition: Toward Oceanic Consciousness | 92
Synaesthetics as Kinaesthetics: The Way of All Experience | 97
Mythipoeiai: The End of Fiction | 106
Synaesthetics and Synergy | 109
Synaesthetic Cinema and Polymorphous Eroticism | 112
Synaesthetic Cinema and Extra-Objective Reality | 122
Image-Exchange and the Post-Mass Audience Age | 128
Part Three: Toward Cosmic Consciousness | 135
2001: The New Nostalgia | 139
The Stargate Corridor | 151
The Cosmic Cinema of Jordan Belson | 157
Part Four: Cybernetic Cinema and Computer Films | 179
The Technosphere: Man/Machine Symbiosis | 180
The Human Bio-Computer and His Electronic Brainchild | 183
Hardware and Software | 185
The Aesthetic Machine | 189
Cybernetic Cinema | 194
Computer Films | 207
Part Five: Television as a Creative Medium | 257
The Videosphere | 260
Cathode-Ray Tube Videotronics | 265
Synaesthetic Videotapes | 281
Videographic Cinema | 317
Closed-Circuit Television and Teledynamic Environments | 337
Part Six: Intermedia | 345
The Artist as Ecologist | 346
World Expositions and Nonordinary Reality | 352
Cerebrum: Intermedia and the Human Sensorium | 359
Intermedia Theatre | 365
Multiple-Projection Environments | 387
Part Seven: Holographic Cinema: A New World | 399
Wave-Front Reconstruction: Lensless Photography | 400
Dr. Alex Jacobson: Holography in Motion | 404
Limitations of Holographic Cinema | 407
Projecting Holographic Movies | 411
The Kinoform: Computer-Generated Holographic Movies | 414
Technoanarchy: The Open Empire | 415
Selected Bibliography | 421
Index | 427
Introduction to the Fiftieth Anniversary Edition | xiii
Introduction by R. Buckminster Fuller | 15
Inexorable Evolution and Human Ecology by R. Buckminster Fuller | 37
Preface | 41
Part One: The Audience and the Myth of Entertainment | 45
Radical Evolution and Future Shock in the Paleocybernetic Era | 50
The Intermedia Network as Nature | 54
Popular Culture and the Noosphere | 57
Art, Entertainment, Entropy | 59
Retrospective Man and the Human Condition | 66
The Artist as Design Scientist | 70
Part Two: Synaesthetic Cinema: The End of Drama | 75
Global Closed Circuit: The Earth as Software | 78
Synaesthetic Synthesis: Simultaneous Perception of Harmonic Opposites | 81
Syncretism and Metamorphosis: Montage as Collage | 84
Evocation and Exposition: Toward Oceanic Consciousness | 92
Synaesthetics as Kinaesthetics: The Way of All Experience | 97
Mythipoeiai: The End of Fiction | 106
Synaesthetics and Synergy | 109
Synaesthetic Cinema and Polymorphous Eroticism | 112
Synaesthetic Cinema and Extra-Objective Reality | 122
Image-Exchange and the Post-Mass Audience Age | 128
Part Three: Toward Cosmic Consciousness | 135
2001: The New Nostalgia | 139
The Stargate Corridor | 151
The Cosmic Cinema of Jordan Belson | 157
Part Four: Cybernetic Cinema and Computer Films | 179
The Technosphere: Man/Machine Symbiosis | 180
The Human Bio-Computer and His Electronic Brainchild | 183
Hardware and Software | 185
The Aesthetic Machine | 189
Cybernetic Cinema | 194
Computer Films | 207
Part Five: Television as a Creative Medium | 257
The Videosphere | 260
Cathode-Ray Tube Videotronics | 265
Synaesthetic Videotapes | 281
Videographic Cinema | 317
Closed-Circuit Television and Teledynamic Environments | 337
Part Six: Intermedia | 345
The Artist as Ecologist | 346
World Expositions and Nonordinary Reality | 352
Cerebrum: Intermedia and the Human Sensorium | 359
Intermedia Theatre | 365
Multiple-Projection Environments | 387
Part Seven: Holographic Cinema: A New World | 399
Wave-Front Reconstruction: Lensless Photography | 400
Dr. Alex Jacobson: Holography in Motion | 404
Limitations of Holographic Cinema | 407
Projecting Holographic Movies | 411
The Kinoform: Computer-Generated Holographic Movies | 414
Technoanarchy: The Open Empire | 415
Selected Bibliography | 421
Index | 427