Exhibitions Beyond Boundaries
Editat de Harriet Atkinson, Verity Clarkson, Sarah A Lichtmanen Limba Engleză Paperback – 2 oct 2025
Chapters trace relations across Africa, Asia, Europe, the Middle East, the Pacific, and the United States of America, drawing on a range of approaches and perspectives, principally from art and design history but also from social, economic and political history, and museum studies. Featured case studies include the presentation of African-American Art at FESMAN '66 and FESTAC '77, the US's 1961 Small Industries Exhibition in Colombo, Israel's early appearances at the Venice Biennale, the Vatican Pavilion at the 1964-1965 New York World's Fair, and Hong Kong's Pavilion at Expo 70 in Tokyo.
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Specificații
ISBN-13: 9781350568310
ISBN-10: 1350568317
Pagini: 320
Ilustrații: 35 bw illus
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.45 kg
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
ISBN-10: 1350568317
Pagini: 320
Ilustrații: 35 bw illus
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.45 kg
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
Cuprins
List of Figures
Acknowledgments
Foreword, Jonathan M. Woodham (University of Brighton, UK)
Exhibitions Beyond Boundaries: An Introduction, Harriet Atkinson and Verity Clarkson (University of Brighton, UK), and Sarah A. Lichtman (Parsons School of Design, The New School, USA)
1. Universal Civilization and National Cultures: Producing Israel at the Venice Biennale, 1948-1952, Chelsea Haines (Arizona State University, USA)
2. Salvaging Through Merchandising: America's Vietnamese Craft Diplomacy on Display in the US in 1956 and 1958, Jennifer Way (University of North Texas, USA)
3. "A Slightly Exotic Country": Poland's Contentious Debut at the 11th Milan Triennale, 1957, Katarzyna Jezowska (UNSW Sydney, Australia)
4. Self-management on Display: Negotiating the Visions of Yugoslav Socialist Modernity at Expo 58 and Porodica i domacinstvo Exhibitions, Rujana Rebernjak (London College of Communication, UAL, UK)
5. "One of the Puzzles of the Exhibition": A Misunderstood Cittadina, Neoliberty, and the Italian Display at Brussels Expo 58, Rika Devos and Serena Pacchiani (Université Libre de Bruxelles, Belgium)
6. Assembling Smallness: The United States Small Industries Exhibition in Colombo, 1961, Nushelle de Silva (MIT, USA)
7. Painting from the Pacific and Artistic Exchange Across the Pacific, 1961, Ian Cooke (Independent Scholar, USA)
8. "A Wholly American Plastic Package": Transnationalism, Technology, and Theology at The Vatican Pavilion in the 1964-1965 New York World's Fair, Ethan Robey (Pennsylvania State University, USA)
9. "The Gentle Art of Cookery": Exhibiting Transnational Anglo-Russian Diplomatic History During the Cold War, 1967, Verity Clarkson (University of Brighton, UK)
10. From FESMAN '66 to FESTAC '77: Competing Curatorial Strategies for African-American Art at Pan-African Festivals, Lindsay Twa (Augustana University, USA)
11. Designing Stability: Hong Kong's Pavilion at Expo 70 and Local Expositions, Daniel Cooper (Columbia University, USA) and Juliana Kei (Royal College of Art, UK)
12. Pharaoh Diplomacy: The Soft Power of the Treasures of Tutankhamun, Mario Schulze (Zürich University of the Arts, Switzerland)
13. A "Tropic-Proof Container Exhibition": The Role of Environmental Factors in Configuring Design, a Dutch Case Study, Joana Meroz (Vrije Universiteit Amsterdam, the Netherlands)
Notes on Contributors
Index
Acknowledgments
Foreword, Jonathan M. Woodham (University of Brighton, UK)
Exhibitions Beyond Boundaries: An Introduction, Harriet Atkinson and Verity Clarkson (University of Brighton, UK), and Sarah A. Lichtman (Parsons School of Design, The New School, USA)
1. Universal Civilization and National Cultures: Producing Israel at the Venice Biennale, 1948-1952, Chelsea Haines (Arizona State University, USA)
2. Salvaging Through Merchandising: America's Vietnamese Craft Diplomacy on Display in the US in 1956 and 1958, Jennifer Way (University of North Texas, USA)
3. "A Slightly Exotic Country": Poland's Contentious Debut at the 11th Milan Triennale, 1957, Katarzyna Jezowska (UNSW Sydney, Australia)
4. Self-management on Display: Negotiating the Visions of Yugoslav Socialist Modernity at Expo 58 and Porodica i domacinstvo Exhibitions, Rujana Rebernjak (London College of Communication, UAL, UK)
5. "One of the Puzzles of the Exhibition": A Misunderstood Cittadina, Neoliberty, and the Italian Display at Brussels Expo 58, Rika Devos and Serena Pacchiani (Université Libre de Bruxelles, Belgium)
6. Assembling Smallness: The United States Small Industries Exhibition in Colombo, 1961, Nushelle de Silva (MIT, USA)
7. Painting from the Pacific and Artistic Exchange Across the Pacific, 1961, Ian Cooke (Independent Scholar, USA)
8. "A Wholly American Plastic Package": Transnationalism, Technology, and Theology at The Vatican Pavilion in the 1964-1965 New York World's Fair, Ethan Robey (Pennsylvania State University, USA)
9. "The Gentle Art of Cookery": Exhibiting Transnational Anglo-Russian Diplomatic History During the Cold War, 1967, Verity Clarkson (University of Brighton, UK)
10. From FESMAN '66 to FESTAC '77: Competing Curatorial Strategies for African-American Art at Pan-African Festivals, Lindsay Twa (Augustana University, USA)
11. Designing Stability: Hong Kong's Pavilion at Expo 70 and Local Expositions, Daniel Cooper (Columbia University, USA) and Juliana Kei (Royal College of Art, UK)
12. Pharaoh Diplomacy: The Soft Power of the Treasures of Tutankhamun, Mario Schulze (Zürich University of the Arts, Switzerland)
13. A "Tropic-Proof Container Exhibition": The Role of Environmental Factors in Configuring Design, a Dutch Case Study, Joana Meroz (Vrije Universiteit Amsterdam, the Netherlands)
Notes on Contributors
Index
Recenzii
As recent studies have shown, the history of exhibitions expands far beyond a disciplinary perspective of architectural, design, or cultural history. While scholarship on the history of international exhibitions between the 1850s and 1980s in the West is flourishing, the network of agents and institutions that has generated the consolidation of the global communication system still needs to be examined. This edited volume, entitled Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design 1945-1985, edited by Harriet Atkinson, Verity Clarkson, and Sarah A. Lichtman, is a major contribution to a research field that has remained on the margins of mainstream scholarship... It will undoubtedly become a source of reference for future scholars, exploring the new, in-between disciplinary narratives of a globalized world.