Evelyn Waugh’s Satire: Texts and Contexts
Autor Naomi Milthorpeen Limba Engleză Paperback – 23 mar 2018
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Specificații
ISBN-13: 9781611478761
ISBN-10: 1611478766
Pagini: 196
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Fairleigh Dickinson University Press
Locul publicării:New York, United States
ISBN-10: 1611478766
Pagini: 196
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Fairleigh Dickinson University Press
Locul publicării:New York, United States
Cuprins
Abbreviations
Acknowledgments
IntroductionSatire, texts and contexts
1England and the Octopus: Decline and Fall
2Real Tears: Vile Bodies and The Apes of God
3Collecting Material: Black Mischief, Scoop and Cold Comfort Farm
4Blow the Whole Thing Sky-High: A Handful of Dust
5Divided We Stand, United We Fall: Put Out More Flags and Scott-King's Modern Europe
6Half in Love With Easeful Death: The Loved One and Love Among the Ruins
7Conscious Imposture: The Ordeal of Gilbert Pinfold
CodaThe Rake's Regress: "Basil Seal Rides Again"
Bibliography
Acknowledgments
IntroductionSatire, texts and contexts
1England and the Octopus: Decline and Fall
2Real Tears: Vile Bodies and The Apes of God
3Collecting Material: Black Mischief, Scoop and Cold Comfort Farm
4Blow the Whole Thing Sky-High: A Handful of Dust
5Divided We Stand, United We Fall: Put Out More Flags and Scott-King's Modern Europe
6Half in Love With Easeful Death: The Loved One and Love Among the Ruins
7Conscious Imposture: The Ordeal of Gilbert Pinfold
CodaThe Rake's Regress: "Basil Seal Rides Again"
Bibliography
Recenzii
Milthorpe is careful to acknowledge that most significant Waugh scholarship to date has been grounded in biographical study before making a robust case for rooting her own enquiry more theoretically, specifically in the mechanics of satire.... [T]he strategy is highly successful, energetic, and engaging. Milthorpe offers some original and alternative readings that benefit the field considerably.... Milthorpe's detailed exploration of Waugh's personal writings and collections offers an excellent model of how such material can be deployed to enrich theory-led literary criticism rather than promoting the soft-historicist reduction of a work to no more than the sum of a writer plus his or her times.