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Elizabeth Barrett Browning

Autor Elizabeth Barrett Browning
en Limba Engleză Paperback – aug 1988
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'How do I love thee? Let me count the ways'

Elizabeth Barrett Browning was a poet of passion, wit and conscience. She was also a woman who wrote to speak the truth about everything she knew - and she knew just what it was like to be a thinking woman in a society that wanted women to be weak. The eldest of twelve children, she wrote poetry from the age of eleven, and became a highly successful poet in her lifetime - and remains very much loved today.

She was also a strong advocate for human rights, campaigning to abolish slavery and child labour, and her three-part poem A Curse for a Nation is a powerful polemic against the slave trade.

'I heard an angel speak last night, and he said "write! Write a nation's curse for me, and send it over the western sea" '
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Specificații

ISBN-13: 9780801837548
ISBN-10: 0801837545
Pagini: 352
Dimensiuni: 132 x 201 x 37 mm
Greutate: 0.36 kg
Editura: Johns Hopkins University Press
Locul publicării:Baltimore, United States

Recenzii

"The array of works offered is a rich one, from the religious to the romantic, the sentimental to the socially astute... In providing as representative a sample as possible without including the prefaces or extracts from the longer poems, Forster has succeeded admirably." -- Victorian Studies

Textul de pe ultima copertă

The volume illustrates Browning's development as a poet and reveals her contribution to feminist literature. The poems selected here include early verses published in 1826, when the poet was twenty, as well as the last poems she wrote before her death in 1861.

Cuprins

Acknowledgements
Abbreviations, Primary Sources, and Website
Note on Citation Practices and EBB’s Punctuation
Illustrations
Preface: About this Edition
EBB: A Brief Chronology
Introduction
1. Early Works
  • Unpublished Juvenilia
    • On the Cruelty of Forcement to Man Alluding to the Press Gang
    • Fragment of an “Essay on Woman”
  • From An Essay on Mind, with Other Poems (1826)
    • Stanzas on the Death of Lord Byron
2. From The Seraphim, and Other Poems (1838)
  • A Romance of the Ganges
    The Virgin Mary to the Child Jesus
    Felicia Hemans: To L.E.L.
3. From Poems (1844)
  • From the Preface
    From A Drama of Exile
    Sonnets
    • The Soul’s Expression
      On a Portrait of Wordsworth by B.R. Haydon
      Past and Future
      Grief
      To George Sand: A Desire
      To George Sand: A Recognition
  • The Romaunt of the Page
    Lady Geraldine’s Courtship
    From A Vision of Poets
    The Cry of the Children
    Bertha in the Lane
    Catarina to Camoens
    The Romance of the Swan’s Nest
4. [Aeschylus’s Monodrama] (Unpublished, 1845)
5. From Poems (1850)
  • Flush or Faunus
    Hiram Powers’ Greek Slave
    The Runaway Slave at Pilgrim’s Point
    A Reed
    Sonnets from the Portuguese
6. From Casa Guidi Windows (1851)
  • Advertisement to the First Edition
    Part I
    Part II
7. From Poems before Congress (1860)
  • Preface
    The Dance
    A Curse for a Nation
8. From Last Poems (1862)
  • Lord Walter’s Wife
    Bianca among the Nightingales
    A Musical Instrument
    Mother and Poet
Appendix A: Views, Reviews of Collected Poems, and Criticism
  1. From William Michael Rossetti, Some Reminiscences of William Michael Rossetti (1906)
  2. From Edgar Allan Poe, Broadway Journal (4 and 11 January 1845)
  3. From Frederick Rowton, The Female Poets of Great Britain (1853)
  4. From the English Woman’s Journal (7 August 1861)
  5. From [William Stigand], Edinburgh Review (July-October 1861)
  6. From [Gerald Massey], The North British Review (February-May 1862)
  7. From Peter Bayne, Two Great Englishwomen: Mrs Browning and Charlotte Brontë (1881)
  8. From Edmund Gosse, Critical Kit-Kats (1896)
  9. From G.K. Chesterton, The Victorian Age in Literature (1913)
  10. From Virginia Woolf, The Second Common Reader (1931)
Appendix B: Religion and Factory Reform
I Religion
  1. From The Guardian (22 January 1851)
  2. From Samuel B. Holcombe, Southern Literary Messenger (December 1861)
  3. From [Hannah Lawrance], The British Quarterly Review (October 1865)
  4. From The True Mary (1868)
  5. From Peter Bayne, Two Great Englishwomen: Mrs Browning and Charlotte Brontë (1881)
II Factory Reform
  1. From Frances Trollope, The Life and Adventures of Armstrong (1844)
  2. From On the Employment of Children and Young Persons (1841)
Appendix C: Trans-Atlantic Abolitionism and Responses to EBB’s Anti-Slavery Poems
I From The Liberty Bell
  1. From George S. Burleigh, “The Worth of the Union” (1845)
  2. Martha Hempstead, “The Fugitive” (1845)
  3. Maria Lowell, “The Slave-mother” (1846)
  4. From William Lloyd Garrison, “The American Union” (1845)
II The Original Opening of “The Runaway Slave at Pilgrim’s Point”
III Responses to “The Runaway Slave at Pilgrim’s Point” and“Hiram Powers’ Greek Slave”
  1. The Literary World on “Hiram Powers’ Greek Slave” and “The Runaway Slave at Pilgrim’s Point” (1851)
  2. Charlotte Forten on “The Runaway Slave at Pilgrim’s Point” (1854)
Appendix D: The Italian Question, Reviews of Casa Guidi Windows, and Reviews of Poems Before Congress
  1. From [Giuseppe Mazzini], Westminster Review (April 1852)
  2. From The Athenaeum (7 June 1851)
  3. From The Leader (14 June 1851)
  4. From The Spectator (28 June 1851)
  5. From Eclectic Review (September 1851)
  6. From [Henry Fothergill Chorley], The Athenaeum (17 March 1860)
  7. From [Henry Fothergill Chorley], The Athenaeum (7 April 1860)
  8. From The Atlas (24 March 1860)
  9. From [William Edmondstoune Aytoun], Blackwood’s Edinburgh Magazine (April 1860)
  10. Inscription on the Brownings’ home, Casa Guidi (1861)
Select Bibliography

Notă biografică

Elizabeth Barrett Browning was an English poet of the Victorian era, popular in Britain and the United States during her lifetime. Born in County Durham, the eldest of 12 children, Elizabeth Barrett wrote poetry from the age of 11.