Dramatic Approaches to Brief Therapy
Editat de Alida Gersieen Limba Engleză Paperback – iul 1995
Written by the directors of the world's major training programmes in dramatherapy, this book presents their approach to and theory of brief dramatherapy.
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Specificații
ISBN-13: 9781853022715
ISBN-10: 1853022713
Pagini: 273
Dimensiuni: 150 x 233 x 11 mm
Greutate: 0.46 kg
Editura: JESSICA KINGSLEY PUBLISHERS
Colecția Jessica Kingsley Publishers
Locul publicării:London, United Kingdom
ISBN-10: 1853022713
Pagini: 273
Dimensiuni: 150 x 233 x 11 mm
Greutate: 0.46 kg
Editura: JESSICA KINGSLEY PUBLISHERS
Colecția Jessica Kingsley Publishers
Locul publicării:London, United Kingdom
Recenzii
...an excellent introduction to dramatherapy. It also provides stimulation for more experienced therapists. There is a rich diet of therapeutic insights, particularly related to the release of creative potential in patients. It is important that the power of these therapeutic methods is known about widely and as such I recommend it to a general readership.
Within this book is some fascinating reading for creative therapists, particularly those working from a dramatic perspective. The book contains a breadth of experiences and applications of dramatherapy. This book is a useful book for creative therapists generally, and particularly for dramatherapists and psychodramatists; in addition, practitioners of different theoretical orientations might like to read it to get some understanding of dramatherapy processes.
Alida Gersie, author and pioneer in the uses of storytelling in brief therapy, eloquently brings together top international dramatherapy practitioners in this lucid and comprehensive guide for practice. Each rich and cohesive chapter focuses on a particular aspect of dramatherapy methods as utilised within a wide range of treatment settings. The excellent and eclectic collection of case descriptions presents practical reference material for the beginner to the experienced therapist. End of chapter references also offer exceptional sources for further reading. Through each contributor's insightful exploration, one can recognise the breadth of effective tools that dramatherapy offers. This is truly an invaluable resource for any mental health professional looking to integrate new, effective methods and thinking into the brief therapy process.
With its extensive coverage of work in this field, the book bids to establish the legitimacy of the method in a variety of therapeutic contexts. A reader wishing to become familiar with concepts and methods, illustrated generously with case vignettes, will find this book useful.
...a dynamic presentation of change and insight, the goal of all therapists, achieved by psychodrama. I highly recommend this book to therapists of all disciplines; they will find additional knowledge for helping to heal wounds to the self, relate to objects, and gain insight for recovery.
...will make rewarding reading for any psychotherapist with a particular interest in these very important topics... will give the reader a clear idea of the direct application of drama to psychotherapy.
Within this book is some fascinating reading for creative therapists, particularly those working from a dramatic perspective. The book contains a breadth of experiences and applications of dramatherapy. This book is a useful book for creative therapists generally, and particularly for dramatherapists and psychodramatists; in addition, practitioners of different theoretical orientations might like to read it to get some understanding of dramatherapy processes.
Alida Gersie, author and pioneer in the uses of storytelling in brief therapy, eloquently brings together top international dramatherapy practitioners in this lucid and comprehensive guide for practice. Each rich and cohesive chapter focuses on a particular aspect of dramatherapy methods as utilised within a wide range of treatment settings. The excellent and eclectic collection of case descriptions presents practical reference material for the beginner to the experienced therapist. End of chapter references also offer exceptional sources for further reading. Through each contributor's insightful exploration, one can recognise the breadth of effective tools that dramatherapy offers. This is truly an invaluable resource for any mental health professional looking to integrate new, effective methods and thinking into the brief therapy process.
With its extensive coverage of work in this field, the book bids to establish the legitimacy of the method in a variety of therapeutic contexts. A reader wishing to become familiar with concepts and methods, illustrated generously with case vignettes, will find this book useful.
...a dynamic presentation of change and insight, the goal of all therapists, achieved by psychodrama. I highly recommend this book to therapists of all disciplines; they will find additional knowledge for helping to heal wounds to the self, relate to objects, and gain insight for recovery.
...will make rewarding reading for any psychotherapist with a particular interest in these very important topics... will give the reader a clear idea of the direct application of drama to psychotherapy.
Cuprins
Introduction. Section 1: Principles of Brief Dramatherapy. 1. Five Progressive Phases in Dramatherapy and their Implications for Brief Dramatherapy, Renee Emunah, CIIS, USA. 2. Time and Dramatherapy, Phil Jones, University of Hertfordshire. 3. A Short-Term Model of Dramatherapy Through the Role Method, Robert Landy, New York University. 4. Brief Dramatherapy in a Changing Health Service, Dorothy M. Langley, South Devon College. 5. Drama as Accelerator, David Powley, Dramatherapy Trainer and Consultant. 6.Brief Dramatherapy: The Need for Professional Diagnosis, Herman Smitskamp, Hogeschool Midden Nederland, the Netherlands. Section 2: Brief Dramatherapy in Groups 7. Group Narrative Function in Brief Dramatherapy, Judy Donovan, University of Ripon and York. 8. The Role of Dramatherapy on an Extremely Short Term Inpatient Psychiatric Unit, Alice M. Forrester, Danbury Hospital and David Read Johnson, Yale University School of Medicine. 9. Masking the Gas Mask, Brief Intervention Using Metaphor, Imagery, Movement and Enactment, Mooli Lahad, Tel Hai College, Israel. 10. Is it Therapy or What?: Boundary Issues in the Context of Single Session Therapy, Eva Leveton, CIIS, USA. 11. Brief Dramatherpay and the Collective Creation, Barbara Mackay, Concordia University, Canada. Section 3: Brief Dramatherapy with Individuals. 12. The Use of Dramatherapy and Playtherapy to Help De-brief Children after the Trauma of Sexual Abuse, Ann Cattanach, Institute of Dramatherapy, and Roehampton Institute. 13. Being Together Briefly. One on One Brief Dramatherapy with Clients Hospitalized for Chronic or Reactive Depression, Ditty Dokter, University of Hertfordshire, and Addenbrooke's Hospital, Cambridge. 14. Brief Dramatherapy and Preventative Models of Practice, Sue Jennings, Consultant Dramatherapist and Teaching Fellow. 15. Focusing on Mythic Imagery in Brief Dramatherapy with Psychotic Individuals, Stephen Snow, Concordia University, Montreal. 16. Time and Timing: Attending to Kairos in Brief Dramatherapy, Ted Wharam, College of Ripon and York St John, York. 17. Brief Dramatherapy with Adolescents, Jan-Berend van der Wijk Christlijke Hogeschool Noord Nederland, the Netherlands.