Directing the Non-Actor, Volume One
Autor James Blue Editat de Richard Herskowitzen Limba Engleză Paperback – 2 noi 2026
Volume One of Directing the Non-Actor brings together, along with a comprehensive account of Blue's motivations, process, and findings, extraordinary conversations with Jean Renoir, Robert Bresson, Jean-Luc Godard, Satyajit Ray, and others, and revelatory testimonies from the non-actors themselves. What emerges is a master class in the craft of capturing life on screen: from Bresson's exacting control to Godard's improvisatory freedom, from Italian neorealism's streets to Québec's New Wave.
Essential reading for filmmakers, scholars, and anyone captivated by the mysterious space where cinema meets reality.
Directors interviewed: John Boorman, Robert Bresson, Shirley Clarke, Milos Forman, Jean-Luc Godard, Gilles Groulx, Susumu Hani, Claude Jutra, Paul Morrissey, Satyajit Ray, Jean Renoir and Jacques Rozier. Actors interviewed: Carroll Baker, Warren Beatty, Richard Grenier, Johanne Harrelle, François Lafarge, Macha Méril, Jean-Baptiste Thiérrée, Barbara Ulrich and Anne Wiazemsky.
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Specificații
ISBN-13: 9798899760938
Pagini: 396
Dimensiuni: 127 x 203 x 21 mm
Greutate: 0.39 kg
Editura: Sticking Place Books
Pagini: 396
Dimensiuni: 127 x 203 x 21 mm
Greutate: 0.39 kg
Editura: Sticking Place Books
Notă biografică
James Blue (1930-1980) was a groundbreaking filmmaker, educator, and advocate for public, accessible media. Born in Oklahoma, he studied at the University of Oregon before earning a scholarship to Paris's prestigious IDHEC, where his classmates included Costa-Gavras and Johan van der Keuken. His debut feature, Les Oliviers de la Justice, received the Critics' Prize at the 1962 Cannes Film Festival. His USIA documentary The March (1963-64), documenting the Civil Rights March on Washington, was later added to the National Film Registry. A Few Notes on Our Food Problem (1968) earned him an Academy Award nomination. As an educator, Blue taught at UCLA, the American Film Institute, Rice University, and SUNY Buffalo, where his students included Paul Schrader, Joan Churchill, and Jim Morrison. With initial support from a Ford Foundation grant, he conducted and recorded over 75 interviews with major international filmmakers, considered one of the most important film history archives of the 20th century. He died of cancer in 1980, just before turning 50.