Dickens, Death, and Christmas
Autor Robert L. Pattenen Limba Engleză Hardback – 27 iun 2023
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Specificații
ISBN-13: 9780192862662
ISBN-10: 0192862669
Pagini: 366
Ilustrații: 70 Illustrations
Dimensiuni: 162 x 241 x 24 mm
Greutate: 0.66 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
ISBN-10: 0192862669
Pagini: 366
Ilustrații: 70 Illustrations
Dimensiuni: 162 x 241 x 24 mm
Greutate: 0.66 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
Recenzii
In this beautifully illustrated, richly contextualized study, Robert Patten traces the often surprising and deeply-rooted connections between death and Christmas festivities in Dickens's Christmas books and in his own experiences of the winter solstice holidays.
This is a thoughtful, comprehensive representation of the book, by one of the most informed of all Dickensians.
A great accomplishment of scholarship and literary commentary ... I felt privileged to be invited into a Victorian sitting room. Plush and comfortable, designed for comfort and pleasure, the reader feels the depth of knowledge and erudition that is integrated into deep understanding and love of Dickens. It is, in short, a great tribute to a lifetime of work on Dickens involving deep research, a keen literary sensibility, and a rapport with the community of Dickensians of all sorts.
Dickens, Death, and Christmas is undoubtedly a valuable contribution to Dickens studies and a must-read for academics, students, and teachers who want to delve deeper into the manifold ways Dickens portrays the spirit of the winter holidays, and to be better informed about "The Man Who Invented Christmas"--the title bestowed on the novelist by The Sunday Telegraph in 1988.
Robert Patten's delightful study provides a compelling account of the haunting influence of death on Charles Dickens's literary invention of Christmas. Dickens was "almost the equivalent of Father Christmas" for many Victorians, and this unique connection between author and holiday has endured into the twenty-first century (283). Patten's book complicates Dickens's Yuletide legacy through its careful attention to the historical contexts that informed the author's Christmas works.
This is a thoughtful, comprehensive representation of the book, by one of the most informed of all Dickensians.
A great accomplishment of scholarship and literary commentary ... I felt privileged to be invited into a Victorian sitting room. Plush and comfortable, designed for comfort and pleasure, the reader feels the depth of knowledge and erudition that is integrated into deep understanding and love of Dickens. It is, in short, a great tribute to a lifetime of work on Dickens involving deep research, a keen literary sensibility, and a rapport with the community of Dickensians of all sorts.
Dickens, Death, and Christmas is undoubtedly a valuable contribution to Dickens studies and a must-read for academics, students, and teachers who want to delve deeper into the manifold ways Dickens portrays the spirit of the winter holidays, and to be better informed about "The Man Who Invented Christmas"--the title bestowed on the novelist by The Sunday Telegraph in 1988.
Robert Patten's delightful study provides a compelling account of the haunting influence of death on Charles Dickens's literary invention of Christmas. Dickens was "almost the equivalent of Father Christmas" for many Victorians, and this unique connection between author and holiday has endured into the twenty-first century (283). Patten's book complicates Dickens's Yuletide legacy through its careful attention to the historical contexts that informed the author's Christmas works.
Notă biografică
Robert L. Patten retired as Autrey Professor Emeritus in Humanities and Emeritus Professor of English at Rice University; he continues as a Senior Research Fellow, non-resident, at the Institute of English Studies, School of Advanced Studies, University of London. He earned his B.A. at Swarthmore and his PhD at Princeton and has devoted his research and teaching primarily to British nineteenth-century literature, book illustration, and print history. For these subjects he has received Guggenheim, National Endowment for the Humanities, and other grants, and spent a year each at the National Humanities Center and the National Gallery of Art.