Debris Field is an anti-elegy that reassembles the materials of individual and public catastrophe at the crash site of the Flight 93 National Memorial. A formal and critical response to 9/11, the collection implicitly retraces the flight path between Newark Airport and the coal fields of Somerset County, Pennsylvania, as well as the poet's departure from Lisbon, where she was living when her father died in the crash of the flight. First person narrative is countered by a chorus of interlocutors: half sisters that weigh intimacy against estrangement; the beekeeper that oversees a remediation of the ecological ruin of the debris field; curators tasked with archiving the disaster; and the search dogs that question systems of power as they comb the crash site for bodies and remains. A refusal of imperial narratives, the redemption arc, and the voyeuristic gaze, Debris Fieldconstructs a personal and speculative archive outside the bounds of institutional memory.