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Darkness de Nina Edwards

Darkness

Autor Nina Edwards
en Limba Engleză Hardback – 15 dec 2018

Subliniem contribuția autoarei Nina Edwards, o scriitoare și actriță stabilită în Londra, a cărei autoritate în domeniul istoriei culturale este consolidată de o curiozitate enciclopedică pentru subiecte adesea ignorate. În volumul Darkness, ea investighează modul în care percepția noastră asupra absenței luminii a evoluat de la teamă ancestrală la fascinație estetică. Premisa lucrării nu este doar o simplă trecere în revistă a nopții, ci o analiză profundă a modului în care întunericul ne-a modelat conștiința, de la ritualurile vechi până la ecranele televizoarelor contemporane care rulează seriale Nordic Noir. Reținem structura narativă care pendulează între fizic și metaforic. Edwards examinează stările de tranziție — amurgul, ceața, zorii — și efortul tehnologic de a „civiliza” noaptea prin foc și, ulterior, prin electricitate. Din punct de vedere vizual, volumul publicat de REAKTION BOOKS este îmbogățit cu 60 de ilustrații care ancorează textul în realitatea artei și a istoriei materiale. Această abordare amintește de Rethinking Darkness de Nick Dunn, însă acolo unde Dunn se concentrează pe spațialitate și urbanism, Edwards propune o perspectivă mai eclectică și literară, integrând folclorul și limbajul cotidian. Poziționăm această lucrare în continuarea preocupărilor autoarei pentru micro-istorii, vizibile în titluri precum Weeds sau Offal. Dacă în lucrările anterioare Edwards recupera demnitatea plantelor nedorite sau a resturilor culinare, în Darkness ea recuperează valoarea „obscurității”. Este un studiu despre limitele înțelegerii umane, scris într-un ton precis, dar captivant, care transformă un element cvasi-invizibil într-un personaj istoric complex.

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Specificații

ISBN-13: 9781780239828
ISBN-10: 1780239823
Pagini: 288
Ilustrații: 10 color plates, 50 halftones
Dimensiuni: 152 x 223 x 30 mm
Greutate: 0.68 kg
Editura: REAKTION BOOKS

De ce să citești această carte

Recomandăm această carte cititorilor pasionați de istorie culturală și antropologie care doresc să înțeleagă cum frica de întuneric a modelat arta și tehnologia. Veți câștiga o perspectivă nouă asupra modului în care limbajul, religia și literatura au transformat un fenomen fizic într-un simbol universal. Este o lectură esențială pentru a înțelege de ce, în ciuda iluminatului artificial, misterul nopții continuă să ne fascineze imaginația.

Despre autor

Nina Edwards este o scriitoare independentă și actriță din Londra, specializată în istorii culturale neconvenționale. Stilul său se remarcă prin transformarea obiectelor sau fenomenelor banale în subiecte de cercetare academică accesibilă. Printre lucrările sale notabile se numără On the Button, o analiză a semnificației nasturilor, Weeds, Pazazz — o istorie a vestimentației albe — și The Virtues of Underwear. Această diversitate tematică reflectă capacitatea autoarei de a extrage semnificații profunde din detalii ale vieții cotidiene, o abilitate pe care o aplică magistral și în explorarea întunericului.

Descriere scurtă

Darkness divides and enlivens opinion. Some are afraid of the dark, or at least prefer to avoid it, and there are many who dislike what it appears to stand for. Others are drawn to this strange domain, delighting in its uncertainties, lured by all the associations of folklore and legend, by the call of the mysterious and of the unknown. The history of our attitudes toward darkness—toward what we cannot quite make out, in all its physical and metaphorical manifestations—challenges the very notion of a world that we can fully comprehend.

In this book, Nina Edwards explores darkness as both a physical feature and cultural image, through themes of sight, blindness, consciousness, dreams, fear of the dark, night blindness, and the in-between states of dusk or fog, twilight and dawn, those points or periods of obscuration and clarification. Taking us across the ages, from the dungeons of Gothic novels to the concrete bunkers of Nordic Noir TV shows, Edwards interrogates the full sweep of humanity’s attempts to harness and suppress the dark first through our ability to control fire and, later, illuminate the world with electricity. She explores how the idea of darkness pervades art, literature, religion, and our everyday language. Ultimately, Edwards reveals how darkness, whether a shifting concept or palpable physical presence, has fed our imaginations.

Notă biografică

Nina Edwards is the author of On the Button: The Significance of an Ordinary Item; Dressed for War: Uniform, Civilian Clothing and Trappings, 1914–1918; Weeds; and Offal: A Global History, the last two also published by Reaktion Books. She lives in London.

Recenzii

"Edwards, who has previously submitted weeds, buttons, and offal to this [cultural history] process, brings a huge range of knowledge, enthusiasm, and sensitivity to the subject. . . . Edwards presents herself openly as an advocate of the dark 'taking its part against the tide of opinion that promotes the light,' but she maintains, sometimes very deftly, a balance and a breadth that are refreshing."

"It is apt that such a mesmerizing image should accompany the opening chapter of Edwards’s beguiling book, which gallantly aims to subvert common views of darkness, both physical and metaphorical. . . . For the most part, Edwards’s approach is considered and engaging as she explores the curious paradoxes and possibilities of ethereal half-shadows and 'umbral blackness.' . . . Marking Edwards’s latest work to embrace the neglected and the obscure (previous offerings include weeds, buttons, and Offal: A Global History), Darkness leaves the reader floating, too—but full of conviction that truth and beauty can still exist, to quote Edward Lear, 'when awful darkness and silence reign.'"

“As subjects go, darkness would seem a little slippery, but in Darkness: A Cultural History, English historian Edwards, a specialist in poetic analyses of the commonplace (the significance of buttons, the history of offal, and so on), grasps it with a sure and practiced mind, sifting through perceptions for an array of definitions that boil down to one idea: possibility. . . . To Edwards, darkness is a thing of richness, universally accessible and transformative, and her passion for the intimacy it allows—a passion buoyed by fluent prose and deep research—expands our understanding, not only of her subject but of its role in our hearts and history.”

"The power of encountering life through a dark or dimly lit lens is very much on trend and Edwards’s Darkness: A Cultural History fits right in, offering a broad, sweeping narrative which ventures into the worlds of history, anthropology, and science. . . . It is a beautifully produced work, in hardback, with color plates and illustrations that reflect the importance given by the author to darkness in art and poetry. It is the sort of book that makes you want to hold it, caress the cover, and turn the pages gently."

“A philosophical undercurrent runs through Edwards’s introduction to this compendious survey of darkness, but the scope and energy are what immediately impress. . . . The book is very well written, reminiscent of the work of Alexandra Harris and recognizably a descendant of Sir James Frazer. . . . No kind of darkness is excluded from this cultural history—interior, exterior, metaphorical, racial, psychological, even abstract (black humor)—and, inevitably, there is much that is fascinating. . . . There is no denying the thoroughness of the author’s researches or her gift for lively—dare one say illuminating—synthesis.”

“So many dark matters are brought to light in Edwards’s study. . . . Edwards writes with flair about art’s capacity for capturing the contrariness of the dark. She links the chiaroscuro of Caravaggio or Rembrandt to the kind of heightened tension generated by film noir. . . . Edwards’s prose is melodic and erudite.”

"This is a book the reader can feast on, packed as it is with riches from literature, art and folklore—the fruit, one imagines, of a superhuman research effort. . . . She deals with a huge accumulation of material exultantly. . . . I will not soon forget Edward’s introduction to Leonardo’s Caricature of a Man with Bushy Hair. . . . (There is an accompanying illustration, one of many that enliven and enrich the text.) She plucks out an especially gruesome image from Baudelaire’s poem Une Charogne ('A Carcass') which is impossible to forget, but which I will leave readers to discover for themselves."

"This book throws much light on darkness, about which many are in the dark. In cultural metaphor, darkness implies ignorance and evil as light does for knowledge and good. This interesting book recalls the role of darkness in various contexts: in religion and literature, science and mythology, race and prejudices. This is a fascinating collection of tidbits from humanity's cultural history, as interesting as it is informative. . . . Recommended."

"Edwards writes clearly and engagingly as she explores the mythological and psychological interpretations as well as the scientific and technological imperatives keeping the darkness at bay. This is a very worthy effort to illuminate an ever-present but seldom considered ingredient of our lives and experiences."