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Dance Music

Autor Tami Gadir Editat de Matt Brennan, Simon Frith
en Limba Engleză Paperback – 7 sep 2023
For some people, at some times, in some places, on some drugs, dance music can be a gateway to transformative, even transcendent experiences. With the help of skilled DJs, dancers can reach euphoric states, discard their egos, and feel social barriers dissolve. Dance floors can be sites of openness, subversion, and even small-scale acts of political resistance. At a minimum, dance music lightens the burdens of contemporary life. At its best, dance music offers glimpses of better worlds. Yet even where dance music communities are built on principles of resistance and liberation, they nevertheless share the grittier realities of the rest of the world. Dance Music makes the case that dance music is ordinary and that something exceeding the social and spatiotemporal bounds of the dance floor is required for the transformative promise of dance music to be realized.
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Specificații

ISBN-13: 9781501346408
ISBN-10: 1501346407
Pagini: 216
Dimensiuni: 150 x 228 x 14 mm
Greutate: 0.34 kg
Editura: BLOOMSBURY ACADEMIC
Locul publicării:New York, United States

Caracteristici

Frames how gender, as well as other identities such as race and class, affect people's experiences on dance floors and behind DJ booths

Notă biografică

Tami Gadir is Lecturer in Music Industry at RMIT University in Melbourne, Australia. Gadir's research addresses the social and political mechanisms of musical life.

Cuprins

PrefaceIntroduction1. Dance Music Histories 2. Dance Music Studies3. Location, Regulation, and Night-Time Danger 4. Transcendence5. "This One's for the Ladies": Gender Trouble in Sound and Dance6. "It's Not About Gender": Merit, Talent, and Other MythsConclusion: Dance Music is OrdinaryAcknowledgementsBibliographyIndex

Recenzii

Amidst a recent wave of books on dance music and club culture, Tami Gadir's Dance Music stands out. Gadir celebrates the ways in which dance floors may be spaces of self-realization and community, but goes further than most in capturing the ways such spaces are fraught with risk, anxiety, and the violence of oppression. Commonplace ideas about club culture-like those claiming the 'transcendence' of dance floor experience-are scrutinized with care and a sharp sense of their political stakes. Well-written and impeccably researched, this is an important contribution to an expanding field.