This volume in the film|minutes series focuses on Alfréd Radok’s Daleká cesta (Distant Journey, 1948), a pioneering Czechoslovak film admired by figures such as André Bazin and Alain Resnais. Renowned for its bold experiments in cinematic montage, the film combines fictional scenes with newsreel footage, Nazi propaganda, and images of liberated concentration camps. Produced shortly after the war, Daleká cesta remains one of the earliest and most formally daring cinematic attempts to grapple with the Holocaust. Drawing on the creators’ ideas of editorial montage as a means of rescuing victims of atrocity—at least momentarily—from historical determinism, the book explores how a montage like experiment in film analysis can challenge not only deterministic narratives of history, but also the conventions of established theoretical frameworks and academic writing.
Volumes in the film|minutes series cut up films into segments of exactly one minute and transform each minute into an innovative tool for thinking with the film. Each volume works rigorously with the concept of “the minute” as a non-cinematic scale/quantity, a means to zoom in on (dis)orderly fragments that do not necessarily respect the confinements of cinematic form or meaning. As a critical practice, the focus on minutes causes disruptions and displacement that create novel connections and perspectives, and uncovers hidden traces, making it possible to watch each film anew.