Cuban Fusion
Autor Eva Silot Bravoen Limba Engleză Paperback – mai 2025
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 318.68 lei 38-44 zile | |
| Springer International Publishing – mai 2025 | 318.68 lei 38-44 zile | |
| Hardback (1) | 340.39 lei 6-8 săpt. | |
| Springer Nature Switzerland – 13 apr 2024 | 340.39 lei 6-8 săpt. |
Preț: 318.68 lei
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Specificații
ISBN-13: 9783031536946
ISBN-10: 3031536940
Pagini: 200
Dimensiuni: 148 x 210 x 12 mm
Greutate: 0.27 kg
Editura: Springer International Publishing
ISBN-10: 3031536940
Pagini: 200
Dimensiuni: 148 x 210 x 12 mm
Greutate: 0.27 kg
Editura: Springer International Publishing
Cuprins
Chapter 1 Introduction.- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context.- Chapter 3 Cubanidad “in-between:” the Transnational Cuban Alternative Music Scene (TCAMS).- Chapter 4 TCAMS and the Music Industry.- Chapter 5 Conclusions- Cuban Fusion Music across Borders.
Notă biografică
Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77).
Textul de pe ultima copertă
“An invaluable study of Cuban music making in diaspora.”
—Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA
“Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies.”
—Greg Landau, Ph.D., Producer, Educator & Music Historian, USA “Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate.”
—Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA
Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years.
Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77).
—Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA
“Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies.”
—Greg Landau, Ph.D., Producer, Educator & Music Historian, USA “Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate.”
—Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA
Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years.
Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77).
Caracteristici
Studies the transnational Cuban alternative music scene Documents important developments in the Cuban and international jazz and fusion scenes in the last 20 years Identifies the impacts the fall of the USSR had on Cubans and Cuban music scenes in the 1990s